A Quote by Markelle Fultz

I used to do crazy tricks. I would stand on the seat, wheelies, stuff like that. — © Markelle Fultz
I used to do crazy tricks. I would stand on the seat, wheelies, stuff like that.
The Apple II was not designed like an ordinary product. It used crazy tricks everywhere
The Apple II was not designed like an ordinary product. It used crazy tricks everywhere.
I'm not doing any crazy stuff any more. Like I used to do high falls; I used to jump from the motorcycle to the truck myself. That's unheard of today. Now nobody would ever do that. In those days it was stupid, man. I just did it because that's what it was, but that I don't do anymore.
I used to always read my stuff. And I could never understand why artists would say, 'Oh, I can't read my older stuff.' I'd go, 'Are you crazy? I could read my stuff forever!' Now it's a little harder.
Stuff used to get me really crazy, touring stuff. I used to hide. I hid from everybody. Back in '87, when things were so hectic, I'd run away. There was so much pressure.
On the road, when I do stand-up, people would always say, "What do you think about Donald Trump?" If you said, "He's crazy," they'd be like, "Yeah, he's crazy." But if you said, "I don't know - he seems interesting," they would be like, "That's really what I think."
It's Crazy when I watch myself on TV. I'm always thinking like 'oh no how could I have done that' and I go crazy like seeing these little things that I do that probably other people would never even notice and stuff like that.
I'm obsessed with great endings and crazy intros and stuff like that. I think we all are from what we've listened to and stuff, so I've always focused on great bridge melodies that just kind of naturally fit, or like a crazy ending at the end of 'Seize the Day,' something like that.
There was a time when I used to live in Spain that it went really crazy with drugs and stuff like that.
Certain movies like 'Wag The Dog,' we used improv on every scene that we did. Pretty much, we would shoot from the script and then some stuff that we came up with in rehearsal, and then we'd have at least one or two takes where we completely went off the script and just flew by the seat of our pants.
I listen to a lot of crazy stuff like pop, techno, rock, hip-hop, rap, baladas, bachata...my iPod is crazy. I like listening to a lot of stuff in different languages, so my music is always out there for me.
I think that the board is a lot more intuitive than people assume. You get on it and all you have to do is put one foot on the tail and one foot on the nose and rock it up and down and that will get you into the tricks or wheelies or manuals. It's not about the balance so much as it is about the timing.
If you had a front row seat at the Renaissance, you would have seen Machiavelli come by plotting, and you would have seen murders in the streets, you would have seen violence, you have seen people burning books and it would have looked like the world was a horrible place, but that's where all these incredible stuff we're still living with comes out of.
Safety was not a big thing when I was growing up. A seat belt was something that got in the way: 'Ma, the seat belt is digging into my back.' 'Stuff it down into the seat. And roll those windows up, you're letting the smoke out'
I used to watch nature shows and laugh at them. Everyone thought I was crazy. "Why are you laughing at a nature show?" Isn't it beautiful? Isn't it beautiful watching hyenas eat their young? This was crazy! What's beautiful about nature is just insane. A bunch of crazy stuff happening.
I went to NYU Tisch for undergrad, and it was amazing. My life then was extremely experimental with acting. I did crazy theater where we would be rolling around on the floor. I would be playing grandmothers, and clowns, and all this crazy stuff. Then I would be doing Shakespeare eight hours a day.
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