A Quote by Marketa Irglova
Some writing is a really nice solitary process, in a way, because you can be a little self-conscious around other people. If it's just you, and you're at your favorite piano, or whatever instrument, and you feel comfortable, then somehow, I always feel like it's opening a door and letting whatever is to pass through pass.
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Sports has always been a pass-through. You pay for something, and then you pass it through to television, you pass it through to advertisers, or you pass it through to season-ticket holders, luxury boxes and then the fans. Then it all adds up, and you take in more than you pass out.
I have friends who are capable of writing a very rough draft and then going back and embroidering - they're sort of the cathedral builders of fiction. I never really know what I'm doing, and all my pleasure's on the level of the line. It's a weird way to move forward. It's kind of like a way to caterpillar your way through these great woods. The best ones, whatever I feel like I'm writing about, some other secret thing will begin to come into focus.
If you're comfortable with someone, you feel creatively free. Whether it's a comedic scene or a dramatic one, you don't feel self-conscious because you feel safe with the people that you're around.
Everyone writes in whatever way feels comfortable to them. People write songs because maybe they don't feel so comfortable talking about whatever matters.
My first instrument was my voice. I was always singing and writing melodies when I was a little kid. I just sort of taught myself whatever was around. If there were instruments around, I'd play them. I always liked the idea of not being shown but coming up with my own energetic connection to the instrument.
Take three conscious breaths. Just pause. Let it be a contrast to being all caught up. Let it be like popping a bubble. Let it be just a moment in time, and then go on. Maybe you are on your way to whatever you need to do for the day. You are in your car, or on the bus, or standing in line. But you can still create that gap by taking three conscious breaths and being right there with the immediacy of your experience, right there with whatever you are seeing, with whatever you are doing, with whatever you are feeling.
As you sow in your subconscious mind, so shall you reap in your body and environment. Whatever your conscious mind assumes and believes to be true, your subconscious mind will accept and bring to pass. Whatever you habitually think sinks into the subconscious. The subconscious is the seat of the emotions and is a creative mind. Once subconscious accepts an idea, it begins to execute it. Whatever you feel is true, your subconscious will accept and bring forth into experience.
It's difficult to explain, but I just somehow feel that I never really *have* lived; that I never really will live--exist or whatever--in the sense that other people do. It drives me crazy. I was terribly aware of it all those nights waiting for you in the Ritz bar looking around at what seemed to be real grown-up lives. I just find everybody else's life surrounded by plate glass. I mean I'd like to break through it just once and actually touch one.
My style overall is whatever is comfy, whatever I feel like wearing that day that I feel good in. I have some really classic pieces that I can dress up, dress down, wear to the movies or wear to a really nice dinner. And I love a really good leather jacket.
I always wanted to play some kind of instrument - piano, saxophone, whatever. I took it up for a while, then forgot about it because I didn't have the time.
Any actor who's onstage... at least this is what I do... I'm always using 120% on whatever the heck I'm doing. I have to make an impression with all the bursts of things I do in this show... taking the picture, shutting the door, opening the door... as long as I'm making people laugh at those moments, I feel like I'm accomplishing something.
If you don't connect yourself to your family and to the world in some fashion, through your job or whatever it is you do, you feel like you're disappearing, you feel like you're fading away, you know? I felt like that for a very very long time. Growing up, I felt like that a lot. I was just invisible; an invisible person. I think that feeling, wherever it appears, and I grew up around people who felt that way, it's an enormous source of pain; the struggle to make yourself felt and visible. To have some impact, and to create meaning for yourself, and for the people you come in touch with.
I do have esteem issues when it comes to reading and writing. I always feel kind of self-conscious about letting people read something that I wrote, because the last thing I wanna hear is, 'You spelled everything wrong.'
Death is the door from the superficial life, the so-called life, the trivial. There is a door. If you pass through the door you reach another life - deeper, eternal, without death, deathless. So from so-called life, which is really nothing but dying, one has to pass through the door of death; only then does one achieve a life that is really existential and active - without death in it.
I want people to FEEL something... If it's sadness, anger, horny, happiness whatever! As long as it doesn't just pass you by.
It's kind of like being a writer in the sense that you always hear other writers say, 'Well, the best way to start writing is to just start writing.' The same goes for improvisation. You want to start improvising, just start playing notes. And the more you do that, the more comfortable - or not comfortable - but I guess how you're able to adapt to situations. You become more familiar with your instrument. As soon as you have a musical thought, you can go ahead and add to that musical thought and know your way around.
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