A Quote by Marketa Irglova
Whatever I hear in my head is what I play.
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I can play whatever I want and play whatever the fans want to hear. I don't have to be like a salesperson up there talking about my CD through the whole show.
I don't play an instrument - I just write in my head, and I usually hear fully formed songs. 'We Are Young' turned out so much like it was in my head. But it also exceeded all my expectations.
When The Who first started, we were playing blues, and I dug the blues and I knew what I was supposed to be playing, but I couldn't play it. I couldn't get it out. I knew what I had to play; it was in my head. I could hear the notes in my head, but I couldn't get them out on the guitar.
I grew up with four brothers, and in the back of my head I feel pretty masculine. It's always funny when I hear recordings of my voice, because it's so deep when I hear it in my head.
I'm so grateful that I can play and that I can execute what I hear in my head, because that's the tricky part.
I'm not one of those authors who claims to hear voices in my head or 'let the characters speak through me,' whatever that might mean.
Im not one of those authors who claims to hear voices in my head or let the characters speak through me, whatever that might mean.
I play with feeling so I need to hear what is coming out of the amplifier to inspire me; I don't just play mechanically. I need to hear what I am doing in order to create the next note. If I don't hear it then I can't feed myself.
When people ask me about my dialogue, I say, 'Don't you hear people talking?' That's all I do. I hear a certain type of individual, I decide this is what he should be, whatever it is, and then I hear him. Well, I don't hear anybody that I can't make talk.
I'll hear something in my head, then eventually play it. But it's a subconscious thing. Most of the time I really don't know what I'm playing.
I play with feeling so I need to hear what is coming out of the amplifier to inspire me; I dont just play mechanically. I need to hear what I am doing in order to create the next note. If I dont hear it then I cant feed myself.
I tend to be freer on the piano. I never took guitar lessons, so my reach exceeds my grasp - what I hear in my head I don't always know how to play. But I love to play over something else. I'm not a self-starter. I get kind of bored with the same three folk chords that I know.
In the past, I have not been able to hear myself. I play with feeling so I need to hear what is coming out of the amplifier to inspire me; I don't just play mechanically.
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
You hear a few people saying that, you know, maybe some of the past male players like to watch me play or whatever else, just because I play a bit differently and maybe they can relate to it a bit more with a bigger forehand rather than a backhand, good serve and whatnot.
My first advice would be to read, read, read, which sounds interesting coming in a digital age, but it's so much easier to listen to a poem than it is to sit down and actually read it and to hear it in your head and that is something that every poet or aspiring poet needs to be able to do, I think to hear it in their head.
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