A Quote by Markus Zusak
It's funny, don't you think, how time seems to do a lot of things? It flies, it tells, and worst of all, it runs out.
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Time. It hangs heavy for the bored, eludes the busy, flies by the for young, and runs out for the aged.
If a comedian tells a joke that you find funny, you laugh. If he tells a joke you do not find funny, don't laugh. Or you could possibly go as far as groaning or rolling your eyes. Then you wait for his next joke; if that's funny, then you laugh. If it's not, you don't laugh - or at very worst, you can leave quietly.
I'm very comfortable with what I do, but it just seems like yesterday that I just started, at 19, and it's been like a whirlwind ever since. I've gotten to travel all over the world and meet all kinds of people and do all kinds of great things, so it's, like, surreal. It just lets you know how time flies, especially when you're having fun. It seems like time keeps going by faster as I get older.
If a comedian tells a joke that you find funny, you laugh. If he tells a joke you do not find funny, dont laugh. Or you could possibly go as far as groaning or rolling your eyes. Then you wait for his next joke; if thats funny, then you laugh. If its not, you dont laugh - or at very worst, you can leave quietly.
I think funny comes from tragedy and time. And I think that's where I get it. I'm able to take things that are serious and sad, and turn it into funny. In all honesty - this is after a lot of therapy - I think that, you know, I need love from something, and so now, I find it through performing.
Isn't it funny how the memories you cherish before a breakup can become your worst enemies afterwards? The thoughts you loved to think about, the memories you wanted to hold up to the light and view from every angle-it suddenly seems a lot safer to lock them in a box, far from the light of day and throw away the key. It's not an act of bitterness. It's an act if self-preservation. It's not always a bad idea to stay behind the window and look out at life instead, is it?
I think a lot of the problem with foreign aid and things like that is you go in, give a bunch of stuff, and then it runs out. It's about helping them learn how to continue to be sustainable and live.
I've gotten to travel all over the world and meet all kinds of people and do all kinds of great things, so it's, like, surreal. It just lets you know how time flies, especially when you're having fun. It seems like time keeps going by faster as I get older.
I used to feel like not scoring runs is the worst thing in life but I started thinking: 'No, at least I'm getting to go out on the field wearing the Indian jersey.' Not many get to do that. I am lucky. Now, if I get runs or don't get runs, I'm just going out there trying to enjoy my cricket.
I was in a coma for a long time and in and out of the hospital for a year. For sure, when I'm in a fight and having a hard time, I think back to that time because that was the worst. No matter how bad things are, my attitude is that it's nothing compared to what happened then. Thank God I survived it.
Writing a book about [Buckminster Fuller] in the sense of deciding how much to - how much biographically to gloss over and how much I can leave out is relatively easy as it is because the true believers already know everything. They know a lot of things that are not true and they know a lot of things that I thought were (and seems there's very good evidence not to believe) and therefore, my starting point was I think to tell his myth because that's what grabbed me.
I never make conscious decisions. If my agent says to me, "It's a good script," I'll do it. I don't plan. I've got a lot of things to do. I'm at the roulette table and my luck seems to be running at the moment. I might as well stay there until it runs out.
One of the things that is always difficult about a collaboration is that you don't necessarily find the same thing funny. And so the challenge becomes, how do you tell the other person that you don't think something's funny? The best collaborations tend to be when you are willing to be told that. But there's also ego involved, and so there's a lot of frustration in knowing that you're writing something, and the other person, on some level, needs to think that it's funny.
I'll just talk and talk for an hour, an hour and half, until funny things come out of my mouth - often things that I don't think will be funny, often things that I just thought were sentences, turn out to be funny, because they're the sentences of an idiot. There's level of self-awareness that develops, and I write down things that were funny, usually when I'm on stage, and that becomes the show.
Of all the things about de Sade, I would argue he is funny. A lot of people didn't understand de Sade. No. 1, he is a very good writer, and No. 2, he had the courage to talk about a lot of things that in public, even now, almost nobody has the courage to talk about. He would do it with a kind of funny way - not the stories themselves, but the way he tells them. He is never serious.
All comedy is funny because it tells us truths that we recognise through laughter, but that doesn't mean it can't be unnerving. Think of 'Fawlty Towers'; it can be very, very dark, but by God, it's funny. The two things are not in opposition.
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