A Quote by Markus Zusak

That was when the world wasn't so big and I could see everywhere. It was when my father was a hero and not a human. — © Markus Zusak
That was when the world wasn't so big and I could see everywhere. It was when my father was a hero and not a human.
Growing up, we never got to see a hero who didn't have superpowers who looked like us, that you could kind of look to and say, 'I could be that guy one day. I could be a patriot. I could be a soldier. I could work in the government and be a hero.'
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
Father was very sympathetic, and if the hero of a romance was good or to be pitied, his eyes would fill with tears until he could not see.
We tell each other stories so we can understand the world better and there's catharsis and we understand the models of what a hero could be and what the hero's journey as a human being is all about. But unfortunately, I think sometimes those stories too can be very prohibitive and confining.
First we have to see. Or first we have to be taught to see. We have to be taught to see here, because here is everywhere, related to everywhere else, and if we don't see, hear, taste, smell and feel in this place - not only will we never know anything but the world of sense will be by that much diminished everywhere.
The speed at which cinema is changing, the definition of hero is also changing. Even a big superstar like Aamir sir plays the role of a father. There's action genre, where you have to show body and do stunts, so you may call that a hero.
Phoenix is an interesting example. Drive around and see the golf courses everywhere, and you see people's big green lawns. And you live in a desert! I've always remarked about the capacity of human beings to look at somewhere and move there because of its uniqueness and its beauty and then change it.
If the director has a story, he will go directly to the hero. If I have a big hero in hand today, any big banner or corporate will come to me. But if I say I have a good story, they will ask if I have a hero.
When I was 6 my father went to fight in the war, so he was my big hero. I thought he was the greatest thing.
Sherlock is a portrait of humanity - he takes nature's gift of thought and runs with it, bringing along all the human struggles, fears, and insecurities. He's the hero we could see ourselves being.
To be away from home and yet to feel oneself everywhere at home; to see the world, to be at the centre of the world, and yet to remain hidden from the world—impartial natures which the tongue can but clumsily define. The spectator is a prince who everywhere rejoices in his incognito.
In 'Njan Prakashan,' we set aside conventional definitions of a hero. Fahadh Faasil does not play a protagonist who wins all the time and you can see the character flee during fights. Such a hero is a rarity and the viewers could easily identify with him.
When I see Big E, I clearly see someone who could be world champion. The guy is on another level.
My father was a world-class scientist and my mother was a prolific painter. I could see that my parents had completely different ways of knowing and understanding the world, and relating to it. My father approached things through scientific inquiry and exploration, while my mother experienced things through her emotions and senses.
You are a vain fellow. You want to be a hero. That is why you do such silly things. A hero!... I don't quite know what that is: but, you see, I imagine that a hero is a man who does what he can. The others do not do it.
The child in me could not die as it should have died, because according too legends it must find its father again. The old legends knew, perhaps, that in absence the father becomes glorified, deified, eroticized, and this outrage against God the Father has to be atoned for. The human father has to be confronted and recognized as human, as man who created a child and then, by his absence, left the child fatherless and then Godless.
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