A Quote by Markus Zusak

When death captures me," the boy vowed, "he will feel my fist in his face." (31.26) — © Markus Zusak
When death captures me," the boy vowed, "he will feel my fist in his face." (31.26)
When death captures me,' the boy vowed, 'he will feel my fist on his face.' Personally, I quite like that. Such stupid gallantry. Yes. I like that a lot.
I have made a mistake. They condemn me to death and I ask for a boy to coach me for it. A red-headed boy, who gobbles his buttered bread and toddles to his horse with the seat of his pants wet, this is the young man they hope will get me on my knees, full of prayer. This is the young man I hope will be able to help me, although with what and how I cannot think.
Who will cry for the little boy, lost and all alone? Who will cry for the little boy, abandoned without his own? Who will cry for the little boy? He cried himself to sleep. Who will cry for the little boy? He never had for keeps. Who will cry for the little boy? He walked the burning sand. Who will cry for the little boy? The boy inside the man. Who will cry for the little boy? Who knows well hurt and pain. Who will cry for the little boy? He died and died again. Who will cry for the little boy? A good boy he tried to be. Who will cry for the little boy, who cries inside of me?
Suppose several boys are moving along a particular road and one boy falls into a drain, his dress and his body, become dirty. Other people, passers-by, will laugh at him, but when the boy's father sees his boy in that condition, what is he to do? Will he laugh at his own son? No! What will he do?
My daughter Stacia was born when I was 31, after I was divorced from David, and she was my gift to myself. She was just a joy because I didn't have the stress of a male irritating me, and I vowed that I would make absolutely certain that between her and me there would be a clear line of communication at all times.
He himself will go into the drain and take his boy in his own lap. He will clean his dress, clean his clothes, clean his body; and afterward he will say, "My boy, you should walk carefully."
She represents the un-vowed aspiration of the male human being, his potential infidelity - and infidelity of a very special kind, which would lead him to the opposite of his wife, to the woman of wax whom he could model at will, make and unmake in any way he wished, even unto death.
. . . So I vowed to keep myself alive, but only if I would never use me again for just me - each one of us is born of two, and we really belong to each other. I vowed to do my own thinking, instead of trying to accommodate everyone else's opinion, credo's and theories. I vowed to apply my inventory of experiences to the solving of problems that affect everyone aboard planet Earth.
When I was 15, I fought a guy who was 26 and he was 20-0, undefeated. It was a way for my dad to show me that I was better than I thought. I ended up beating the brakes off this 26-year-old guy. After the fight, the announcer asked my opponent how it felt. He answered, 'I wonder why I stepped in the ring with that boy.'
More and more I feel like the boy who cut off his nose to spite his face.
And – I think you know, don’t you? – that I love you, Anne.’ I feel as if I have been living in a loveless world for too long. The last tender face I saw was my father’s when he sailed for England. ‘You do? Truly?’ ‘I do.’ He rises to his feet and pulls me up to stand beside him. My chin comes to his shoulder, we are both dainty, long-limbed, coltish: well-matched. I turn my face into his jacket. ‘Will you marry me?’ he whispers. ‘Yes,’ I say.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
If anyone were to find out—” I began. Patch kissed me, hard, but with an amused glint in his eye. “If I get caught, it’ll mean the end of kissing you. Do you really think I’d risk that?” His face grew serious. “I know I can’t feel your touch, but I feel your love, Nora. Inside me. It means everything to me. I wish I could feel you the same way you feel me, but I have your love. Nothing will ever outweigh that. Some people go their entire lives never feeling the emotions you’ve given me. There is no regret in that.
The man running toward me is not a man, he is a boy. A shaggy-haired boy with a crease between his eyebrows. Will. Dull-eyed and mindless, but still Will. He stops running and mirrors me, his feet planted and his gun up. In an instant, I see his finger poised over the trigger and hear the bullet slide into the chamber, and I fire. My eyes squeezed shut. Can't breathe. The bullet hit him in the head. I know because that's where I aimed it.
Al: So what's your strategy? Ed: I told you, a fist in his face!
I am nothing if not gracious," Will said. His eyes searched Jem's face, that face as familiar to him as his own. "And determined. You will not leave me. Not while I live.
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