A Quote by Markus Zusak

The city buildings in the distance are holding up the sky, it seems. — © Markus Zusak
The city buildings in the distance are holding up the sky, it seems.
I grew up in New York City where there is no night sky. Nobody has a relationship with the sky, because, particularly in the day, there was air pollution and light pollution, and you look up, and your sight line terminates on buildings. You know the sun and maybe the moon, and that's about it. So what happens is that I am exposed to the night sky as you would see it from a mountaintop, and I'm just struck by it. Suppose I grew up on a farm where I had that sky every night of my life - then you're not going to be struck by it. It's just the wallpaper of your nighttime dome.
I grew up in a big sky country. Then I lived in Manhattan, where you can only see the sky between buildings, and then I went into a building where you couldn't see the sky at all. I didn't like that so much.
I come from a place where you have a lot of sky. But [in New York City] you have to really look up to realize that there is eventually sky, somewhere. ...Sky is not a common commodity.
I was transformed by picking up a pair of binoculars and looking up, and that's hard to do for a city kid because when you look up you just see buildings - and really, your first thought is to look in people's windows. So to look out of the space - out of living space - and look up to the sky, binoculars go far, literally and figuratively.
So, probably … when I started painting the pelvis bones I was most interested in the holes in the bones — what I saw through them- particularly the blue from holding them up in the sun against the sky as one is apt to do when one seems to have more sky than earth in one’s world … they were most beautiful against the Blue — that Blue that will always be there as it is now after all man’s destruction is finished.
From the window, I watch the city and the freeway. In the distance, the sky-rises look like mystic spires, unbearably close and far. I want to pick them up and eat them. I want to scream out loud sometimes, but I never do.
Steadfastness, that is holding on; patience, that is holding back; expectancy, that is holding the face up; obedience, that is holding one's self in readiness to go or do; listening, that is holding quiet and still so as to hear.
A city, far from being a cluster of buildings, is actually a sequence of spaces enclosed and defined by buildings.
My hometown is a very boring city. There isn't a lot of industry - there are a lot of trees. It's not like Beijing where the sky is always dark. In my city the sky is blue and the sun shines.
There is a sense of civic connection to the city when you light up iconic buildings or sites.
Societies raise their grandest monuments to what their cultures value most highly. As the tallest buildings in a city noted for tall buildings, the Twin Towers of the World Trade Center were certainly monumental.
Winter came and the city [Chicago] turned monochrome -- black trees against gray sky above white earth. Night now fell in midafternoon, especially when the snowstorms rolled in, boundless prairie storms that set the sky close to the ground, the city lights reflected against the clouds
Chicago's such a great city because it's got so many different brilliantly architecturally looking buildings, and you can really modify that city.
You can try to steal the thunder all you want, it just reminds people I'm the lightning. You rumble in the distance. I light up the sky.
You look out on the street, and everyone has their heads in their phones. Nobody's really looking up at the sky or the buildings and taking the day in. I try to be conscious of it, but everybody falls prey to it.
There was no moon but the night sky was a riot of crisp and glittering autumn stars. There were streetlights too and lights on buildings and on bridges which looked like earthbound stars and they glimmered repeated as they were reflected with the city in the night water of the Thames. It’s fairyland thought Richard.
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