A Quote by Markus Zusak

My voice is like a rumour. I'm not sure if it came out or not, or if it is true. — © Markus Zusak
My voice is like a rumour. I'm not sure if it came out or not, or if it is true.
As a print journalist, if you hear a rumour you try to stand it up and if you can't, the story dies. With a blog you can throw the rumour out there and ask for help. You can say: 'We don't know if this is true or not.
As a print journalist, if you hear a rumour you try to stand it up and if you can't, the story dies. With a blog you can throw the rumour out there and ask for help. You can say: 'We don't know if this is true or not.'
There's a rumour going around that states cannot go bankrupt. This rumour is not true.
Rumour doth double, like the voice and echo, The numbers of the feared.
I'm not quite sure where the sponsorship rumour came from... probably because I have been a spokesperson for child sponsorship so people just assumed that was the connection.
'Malice' wasn't about horror to start with but an underground comic driven by the power of rumour. However, as nothing fuels a rumour like fear, I decided that it had to be a frightening comic.
People are telling me I might be going back to MotoGP, but a rumour is a rumour.
Nigeria [in 1990] was all rumour, an unbelievable amount of rumour - largely about crime and almost mythical manifestations of evil.
You can fight a rumour only with an even wilder rumour.
I played soccer growing up, and then high school came along and the football coach came out one day and was like, 'Hey, do you want to kick for us?' I was like, 'Sure, I'll come out and kick one day.' I got moved up to varsity and that's how the story began.
I walked around my apartment with food in my mouth asking myself: "How do I come up with this voice?" Then I found the voice. I called the director and said on the phone: "Guess who you're talking to Chris? Sid, that's right Sid!" And that's how I came up with the voice. That's a true story.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
There is no sense talking about "being true to yourself" until you are sure what voice you are being true to. It takes hard work to differentiate the voices of the unconscious.
I'm sure when 'Midnight Cowboy' came out, it took a couple of minutes to get used to the voice and the look of Dustin Hoffman, or to even recognize that it was Dustin Hoffman.
I started doing comedy with no plan to do voice work. Voice work came as a function of doing comedy and meeting people who eventually develop shows like that. I didn't seek out from an early age to be on cartoons.
What really brought out the voice that I have, my soul voice and true voice, was really not getting any work and being very sad and being poor and having to sit with that. I think that's where the blues comes from.
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