A Quote by Markus Zusak

I think to be a writer, you have to enjoy being alone. I was a loner as a teenager and was always drawn to characters in books and films who were at the fringes. — © Markus Zusak
I think to be a writer, you have to enjoy being alone. I was a loner as a teenager and was always drawn to characters in books and films who were at the fringes.
I think to be writer you have to enjoy being alone. I was a loner as a teenager and was always drawn to characters in books and films who were at the fringes.
The cliché I tried to avoid was I hated "teenage sidekicks." I always figured if I were a superhero, there's no way on God's earth that I'm gonna pal around with some teenager. So my publisher insisted I have a teenager in the series, because they always felt teenagers won't read the books unless there's a teenager in the story; which is nonsense.
I read mostly science-fiction and fantasy when I was a teenager, and I was always drawn to stories where the characters had telepathic powers.
I get very tired of books that feel emotionally empty. I would much rather have writers err on the side of being overly sentimental than not. I think that the perfect balance is a story that moves you without being maudlin, but I don't enjoy books that are empty of emotion and there's no connection to the characters.
Many people are under the delusion that I'm just a special-effects man, but I've worn many different hats in my day. On every film I've been involved in, I worked with the writer and producer. We really formulated those scripts. We tried to make films that were logical but still had the fantasy feel of it. I enjoy Aardman Animation's films with Wallace and Gromit, but they're obvious puppet films, whereas we tried to disguise it and make our effects characters in the films rather than obvious puppets.
I was always fond of books right since my childhood days. Even as a teenager, books were my company. Not that I did not have friends, but books kept my occupied most of the time.
There were epochs in the history of humanity in which the writer was a sacred person. He wrote the sacred books, universal books, the codes, the epic, the oracles. Sentences inscribed on the walls of the crypts; examples in the portals of the temples. But in those times the writer was not an individual alone; he was the people.
I always considered myself a loner. I mean, not like a poor-me, Byron-esque, I-should-have-brought-a-swimming-buddy loner. I mean the sort of person who doesn’t feel too upset about the prospect of a weekend spent seeing no one, and reading good books on the couch. It wasn’t like I was a people hater or anything. I enjoyed activities and the company of friends. But they were a side dish. I always thought I would be happy without them.
I've always had a huge fear of dying or becoming ill. The thing I'm most afraid of, though, is being alone, which I think a lot of performers fear. It's why we seek the limelight - so we're not alone, were adored. Were loved, so people want to be around us. The fear of being alone drives my life.
I am a loner by nature, and then I'm a writer, which makes me twice a loner.
Think of this - that the writer wrote alone, and the reader read alone, and they were alone with each other.
I have always been drawn to coming-of-age stories and books and movies featuring compelling young characters.
I was always sort of a loner, I suppose. I always had to think out everything for myself... I suppose that is what you call a loner.
At the times in my life when I was feeling the most gregarious and looking for bosom friendships, I couldn't find any takers, so that exactly when I was alone was when I felt the most like not being alone... I became a loner in my own mind... I decided I'd rather be alone.
I think every writer will tell you that their characters are always partially themselves: who I am and what I've experienced. It's always there in part of my characters.
I'm drawn to female characters, not all of them are strong characters. I think I'm drawn to female characters partly because they don't have as easy or as obvious a relationship to power in society, and so they suffer under social constraints or have to maneuver within them in ways men sometimes don't, or are unconscious about, or have certain liberties that are invisible to them.
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