A Quote by Markus Zusak

I'm not a writer who refuses to talk about a book until I've finished. — © Markus Zusak
I'm not a writer who refuses to talk about a book until I've finished.
A writer is a man like any other: he dreams. And my dream was to be able to say of this book, when I finished: 'This is a book about Alentejo.'
The only difference between a good writer who publishes a book and a good writer who doesn't is that the writer who publishes actually finished her book.
It had to be a book that held my attention and kept me wanting to read it; when my husband finished 'The Road', I started it straight away and didn't put it down until I finished - it was such an achievement and relief to know that I could read, comprehend and, most importantly, enjoy a book!
Yet I'm making a book and I'm going to care immensely about what words get bound in the pages, and I want the object to look good. I won't believe in it and it won't be real to me until there's a finished book I can hold.
Sometimes you don't know what a book is about until you are finished with it and you're talking about it.
I always try to stay as quiet as possible about a book until it's finished.
As soon as I finished the first book, I wrote a second, which I hope to sell this year, and I have just about finished the third book in the series. Two more are already outlined. I'm in this for the long haul.
sometimes after I finished a particularly good book, I had the urge to get the library card, find out who else had read the book, and track them down to talk about it
I have finished To Kill a Mockingbird. It is now my favorite book of all time, but then again, I always think that until I read another book.
George W. Bush was passionate about AIDS. And we had a 10-minute talk at the interval of a concert at the Kennedy Center about AIDS. And I was astonished about how well-informed he was and his commitment to AIDS. And so it's the typical thing of don't judge a book by its cover until you have read the book.
When I was writing Shadow and Bone,' I really had no confidence as a writer. I had never finished a book before and I desperately wanted to finish a book for the first time.
When someone writes a book review, they obviously already self-identify as a writer. I mean, they are. They're writers, they're critics, and they're writing about a book about a writer who's a critic. So I think it's really hard for people to distance themselves from what they're criticizing.
The moment when the finished book or, better yet, a tightly packed carton of finished books arrives on my doorstep is the moment of truth, of culmination; its bliss lasts as much as five minutes, until the first typographical error or production flaw is noticed.
My husband, William Sutcliffe, the writer, is my first reader and in many ways my most important. That initial reading of the manuscript is crucial and irreplaceable and you want them to approach it as someone in a bookshop might, not knowing much about it. So I've got into this pattern of not telling Will anything about the book I'm working on. He often knows nothing about the book I'm working on at all until I give him the whole manuscript and ask him to read it. The book I'm working on at the moment he knows nothing about. No one does.
I don't want my kids to grow up with no father like I did. I came to the conclusion a while ago that you can work until midnight and not be finished or you can work until 6 or 7 and not be finished. I decided I'd rather work until 6 or 7.
The final lesson a writer learns is that everything can nourish the writer. The dictionary, a new word, a voyage, an encounter, a talk on the street, a book, a phrase learned.
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