A Quote by Markwayne Mullin
I think people's interpretation of a body slam is different than the techniques.
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A person gets pushed down; they think they're being 'body-slammed.' There's really not any certain thing - that came from more fake wrestling - you know, 'the body slam,' being picked up in the air and thrown to the ground. It's all in someone's interpretation of what someone thinks a 'body slam' really is.
When somebody is flying airplanes into buildings and killing innocent people in the name of God, it makes you question why do they have that interpretation and somebody else has another interpretation, and how many people of Muslim faith would agree with that, and what are the different aspects of different people's religions that is so divisive, rather than being unifying?
Facion goes in cycles but nothing has changed. When it's ridiculous it's more ridiculous than ever, and when it's wonderful it becomes more wonderful than ever because now more people think: "I dress the body I have, not I have to change the body to wear the fashion." That's what I admire about the growth of the fashion industry. I also think it's wonderful that there is the opportunity to use different textures and fabrics on different colour skins. I am inspired by that.
Collaboration is such a thrill when you're working with someone you really respect. When it's just one person working alone you get a singular view of their world, and that can be great, too. But when you have different people working together with different aesthetics, different techniques, and different mediums, you get something bigger than both of them.
To be able to hold all four majors - the Masters, U.S. Open, British Open, PGA - all concurrently I think is the Grand Slam. But a lot of people have a different opinions on that. People think you have to win it in the same calendar year.
A slam dunk or a breakdance move is limited by what the physical body can do. Now, a skateboard is limitless by design, by not only the dynamic of the board and the way it goes but also what you build to skate on. Basically it's like a slam dunk contest that will progress every for the life of the sport. Five years from now there are going to be kids doing stuff that we didn't think was possible.
It's a fun thing to do, to put yourself in the service of something if you think you can add an interpretation. It's no different than any other storytelling.
I think what a lot of people see as unique is using different technology or different techniques [to make games], but I feel like, as long as you have a core that's unlike others, that's what 'unique' is.
Animation can be a full spectrum of different storytelling techniques and different genres. I think it's sad that there is only one audience that the studios are aiming for and that's the kid audience. It's really tragic that they don't' make films for older people.
Everyone seems to think they know what acting techniques are. Techniques just help you get to a certain place, but if the thing is happening just by itself, you don't need those techniques.
Everyone seems to think they know what acting techniques are. Techniques just help you get to a certain place, but if the thing is happening just by itself you don't need those techniques.
I'd rather be able to play great tennis at a slam than make eight finals of little tournaments and then lose first round of a slam. That doesn't sound too good.
I don't think that anybody could have predicted that these people would take an airplane and slam it into the World Trade Center, take another one and slam it into the Pentagon, that they would try to use an airplane as a missile.
The techniques of different directors are very different, and people have different ways of expressing ideas in film. I'm happiest when working with a director as I would be if I were an actor. I'm wanting to provide a really good performance.
There’s no need to glamorize one body type and slam another. We need to stop this absurd hatred towards bodies for being different sizes. It doesn’t help anyone and it’s getting old.
Work is rich. It can be looked at psychologically or philosophically or personally. The interpretive nature of work is different than the work itself. The interpretation of work isn't the key to understanding it. I'm worried about making a good sculpture. I'm not so worried about the interpretation of it.
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