A Quote by Marla Gibbs

After 20 years of doing comedy, I find dramatic work more challenging. — © Marla Gibbs
After 20 years of doing comedy, I find dramatic work more challenging.
I love comedy. I suppose comedy is my first love, in a way. I did a lot of acting, funnily enough, unprofessionally, as a kid. From when I was 10 years old until I was about 19, I was always doing little sketches with my friends, and doing different accents and voices. Probably about 3/4 of those were comedic, in some way, and the other 1/4 was more serious stuff or more action or more dramatic little pieces that I would make. But, I tend to lean towards comedy.
I just like comedy in general. My film work, which has been at times more dramatic, has been satisfying. But I never feel quite as good and as light and blissful as when I'm doing comedy.
As for doing more dramatic work over comedy, I do whatever turns me on at the moment.
I really wanted to do some serious work. I really wanted to be a part of dramatic films. I wanted to show this talent, whatever that means, that I could be a dramatic actress as well. But the truth is, a) I don't know if I can, and b) I love doing comedy, and I felt almost a little embarrassed that I succumbed to the pressure. Vanity is really what it is. I feel really grateful that I am in comedy, and I love doing it.
I love doing comedy. I find comedy quite hard work. Comedy's underrated, I think, by actors, you know? It's difficult to get it right and get it funny. I really enjoy doing it. I kind of wish I'd done it more. I can't complain. I've had a fair crack of the whip.
I guess after you've been doing something for 20 plus years, you have to work to stay interested.
I'm at least getting my foot in the door as far as doing straight dramatic parts, which no one would have ever considered me for in the '80s. I never objected to that because I love doing comedy, and I'm not the kind of actor that insists that unless you're doing a serious dramatic role, you're not acting.
If there's one regret I have of my time in comedy it's that I really I was so obsessed with improv for so many years and I exclusively did improv for the first 6 years or 7 years. I was doing comedy and then I started doing solo work and stand up, a bit of writing, making videos, and really going into it on that end.
I never consciously got into comedy. It was sort of one of those things where I was a theater student, I was acting, I was doing comedy, I was doing dramatic stuff, so it's been something that I've always done and enjoyed doing and had an instinct to be relatively good at.
I've been doing comedy for 20 years now. I started when I was 13 and I think for the first 10 years I was impersonating other people.
Doing comedy for film is always a challenge because you are in the hands of the editor after the fact. I am hoping I can do some more soon, I enjoy doing comedy.
I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.
I came to The United States to see what would happen in 2000 after working for 20 years in Australia and asked my agent to look out for the nasty roles because I'd become famous for playing the nicest man in Australia. So I wanted to play bad guys. But I've been doing that now for 13 years so when I was offered the chance to do some comedy, I grabbed it.
When I first started doing comedy, I was 42 years old, and I was the brother of one of the most celebrated comics in history who made his name in the game 20 years earlier.
I consider my comedy to be dramatic comedy. I always wanted music underscoring the dramatic monologue. It was always drama with comedy, in my head.
I was always the guy who made jokes and ribbed people at parties. After I went to the American Academy of Dramatic Arts I got sidetracked into clubs and started doing comedy.
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