A Quote by Marla Maples
Every story was being made up. My true friends weren't the ones speaking. It was people who never knew me, making up stories. Even my local paper put a $1,000 bounty out for information about my whereabouts.
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There's this sense of being strange, which is at the heart of every creative person. Every writer, every actor, every director knows who Ripley is. We've made careers and lives out of pretending, making things up, inhabiting other people's stories and lives. That's what I do every day. . . . The story is so audacious and subversive: a central character who behaves badly and isn't apparently caught. That intrigued me no end.
How many stories have you read that aren't true, stories about me and Angie being married or fighting or splitting up? And when we don't split up, there's a whole new round that we've made up and we're back together again!
I have made up thousands of stories; I have filled innumerable notebooks with phrases to be used when I have found the true story, the one story to which all these phrases refer. But I have never yet found the story. And I begin to ask, Are there stories?
Well, I’ve had my fun; I’ve had it, he thought, looking up at the swinging baskets of pale geraniums. And it was smashed to atoms—his fun, for it was half made up, as he knew very well; invented, this escapade with the girl; made up, as one makes up the better part of life, he thought—making onself up; making her up; creating an exquisite amusement, and something more. But odd it was, and quite true; all this one could never share—it smashed to atoms.
My best friend and I went to sleep-away camp every summer. We'd share stories of making out with boys, but we never did, so we made it all up. My real first kiss was at a friend's house when I was in junior high. He was such a good kisser, and we're still close friends!
For in Calormen, story-telling (whether the stories are true or made up) is a thing you're taught, just as English boys and girls are taught essay-writing. The difference is that people want to hear the stories, whereas I never heard of anyone who wanted to read the essays.
I hear all the time that boys don't like stories about girls. Which never made much sense to me. Wasn't 'Terminator' about a girl? And 'Alien'? Hell, I grew up on 'The Wizard of Oz.' People enjoy stories about anything if they're good stories.
But nearly every woman I know has a roughly similar story - in fact, dozens of them: stories about being obsessed with a celebrity, work colleague or someone they vaguely knew for years; living in a parallel world in their head; conjuring up endless plots and scenarios for this thing that never actually happened.
People didn't know who I was or why I was there, so they started inventing stories about me. I was a registered sex offender and I'd just been released from prison and was being forced to do community-service work. I was a murderer, an arsonist - all these horrific things had been projected on me because no one knew what to make of this white guy who showed up and made toast at 5 o'clock every morning.
When we were doing the "Angel Dust" thing we got information from the National Institute of Drug Abuse because we knew that if we went out and said something about angel dust people were going to ask questions about it and we wanted to be sure we had all the information to deal with it when those questions came up. So it's all a question of being as prepared as possible out front, so that if you are going to deal with information it'll be correct. A lot of people won't check it out but some people will.
I dislike that premise implies that a fiction writer is incapable of dreaming up stories that can bring readers to tears, that if you are lucky enough to be living a pretty sedate life ,as I am, you've got nothing worthy of writing about, that you're incapable of making a reader's gut wrench.Frankly, that's what makes readers nervous, the sorcery of you or me or any good fiction writer making up characters who feel like real people, of telling a story that feels true but isn't.
I've always said there are four words that every child in the world knows, and those are, "Tell me a story,." Even the people who wrote the Bible knew that. They told stories, like the story of Noah.
I always wanted my kids to like me and think I was funny, so I made up this story about a kid named Jake and his racecar that he had built from scratch, fully loaded with whatever fantastical gadget he or I wanted him to have at the moment. I loved making up the stories off the top of my head.
[I]t just makes me tired even thinking about it. It reminds me of that feeling I had before I left. Like my lungs were made of lead. Like I can't even think about starting to care about anything. Like I either wish that they were all dead, or I was, because I can't stand the pull of all that history between us. That's before I even pick up the phone. I'm so tired I never want to wake up again. But I've figured out now that it was never them that made me feel that way. It was just me, all along.
I was a shy little girl. Growing up, I was often content being alone in my room, making up stories, and acting out all the parts. I became so good at it that, with the door closed, my parents thought I had friends over.
When people get their mind made up about something, then it's: 'Don't bother me with facts.' They've got their minds made up and dismiss you out of hand. Some people don't even give you a fair hearing.
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