A Quote by Marla Maples

When we separated, I did not want to get in a slugfest. I had to take the high ground. — © Marla Maples
When we separated, I did not want to get in a slugfest. I had to take the high ground.
What Richard and Mildred Loving did was, by their nature, not by any calculus, they separated themselves from the political conversation. They did not have an agenda. They did not want to be martyrs. They did not want to be symbols of a movement.
After fifteen years of facing them (pitchers) you don't really get over them. They're devious. They're the only players in the game allowed to cheat. They throw illegal pitches and they sneak foreign substances on the ball. They can inflict pain whenever they wish. And, they're the only ones on the diamond who have high ground. That's symbolic. You know what they tell you in a war - 'take the high ground first.'
An e-mail from a reader says that liberals like to take the moral high ground, even though their own moral relativism means that there is no moral high ground.
I did not want to be mistreated, I did not want to be deprived of a seat that I had paid for. It was just time… there was opportunity for me to take a stand to express the way I felt about being treated in that manner. I had not planned to get arrested. I had plenty to do without having to end up in jail. But when I had to face that decision, I didn't hesitate to do so because I felt that we had endured that too long. The more we gave in, the more we complied with that kind of treatment, the more oppressive it became.
Set your goals high; make friends with different kinds of people; enjoy simple pleasures. Stand on high ground; sit on level ground; walk on expansive ground.
You can take the high moral ground intellectually, but if it ever happens to you personally, I don't know that I could honestly say that I wouldn't want to kill someone who took someone away from me. So, it's a rich, fertile ground for great characters and great storytelling. That was the impetus.
He did not feel the ground under his feet - he thrust himself into the capriole, rose high in the air-forelegs and hind legs horizontal. He soared above the ground, he head in jubilation. Conquering!
I did take some cooking classes in high school. Boys weren't really supposed to take them. I had to risk being made fun of.
We've had such thorough training, we've had an excellent team on the ground. With the minor glitches that have occurred, we've been able to take care of them. And the teams on the ground are getting tons of incredible data.
I did not want to be the accompanist to an operatic star. But I was at a very high level for a 16-year-old, and I maintained that. So really good, but more impressive than classically trained. So I had to take a crash course in classical technique because I really wanted to get away with playing this character [in Florence Foster Jenkins] without people saying, "That's not really accurate."
I remind you again we had those elections [in Afghanistan and Iraq] because we had boots on the ground and we had people that could help people, and we had people on the ground that could get into somebody's face when they had to, and do whatever was required.
I ended up dropping out of high school. I'm a high school dropout, which I'm not proud to say, ... I had some teachers that I still think of fondly and were amazing to me. But I had other teachers who said, 'You know what? This dream of yours is a hobby. When are you going to give it up?' I had teachers who I could tell didn't want to be there. And I just couldn't get inspired by someone who didn't want to be there
I try to write lyrics that will be able to function on their own if they get separated from the music. But I wouldn't want to take anything away from poets, who work without the frames songwriters get from melody, and I think lyrics should be considered as their own thing.
A lot of the best acting training I had was in junior high and high school. We had very demanding directors and did real plays. You put our plays up against any theater troupe of any age, and they usually did pretty damn well.
In the restaurant business, you never want to have enemies, whereas it seems that many politicians judge their success by how high their enemies are and whether they can show that they can hold their ground and give a punch for every punch they take.
I remember when we did 'Shaun of the Dead,' and when we were trying to get it off the ground in 2001 before we actually made it, a lot of people just didn't want to know.
This site uses cookies to ensure you get the best experience. More info...
Got it!