A Quote by Marla Sokoloff
I'm pretty sure this is it for the teen movie thing. It's so frustrating to read when you get to page 20 and you're like, Oy! It's the same thing again!
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I was quite discerning the first year and when I was doing 'The Vampire Diaries' thing I was like, 'I'm really not sure if I want to do this; it's this whole teen thing, which I've done in England.' My agent was like, 'Don't be silly, you'll make great money and everything.' But I wasn't sure.
At the time I came along, Hollywoods idea of teen movies meant there had to be a lot of nudity, usually involving boys in pursuit of sex, and pretty gross overall. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was teenagers!
At the time I came along, Hollywood's idea of teen movies meant there had to be a lot of nudity, usually involving boys in pursuit of sex, and pretty gross overall. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was teenagers!
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
I've always thought that if my death was imminent, I would read. When I can't focus on a book, I tend to keep reading the same page. My guess is, I would've read, like the first page of Nicholas Nickleby over and over again.
Look who's calling the cauldron black." "Kettle. It’s a kettle. Get your metaphors right." "That wasn’t a metaphor. It was a, you know..." He stared off into space, blinking. "One of those things that’s symbolic of another thing. But isn’t the same thing. Just like it." "You mean a metaphor?" "No! It’s like a story...like...a proverb! That’s it." "I’m pretty sure that wasn’t a proverb. Maybe it was an analogy." "I don’t think so.
I'm probably wouldn't do anything differently if I had to do it again. Every little thing that happens to you, good and bad, becomes a little piece of the puzzle of who you become. Every successful person you read about - Warren Buffett, Bill Gates - they all say pretty much the same thing. 'Do what you love.' I know I did.
They put the thing down your throat so you don't swallow your tongue, and they put electrodes on your head. That's what was recommended in Rockland State Hospital to discourage homosexual feelings. The effect is that you lose your memory and become a vegetable. You can't read a book because you get to page 17 and have to go right back to page one again.
One thing I don't like is those three-star kitchens where they force the cooks to do exactly the same thing again and again. There has to be an element of chance in cookery.
When I revealed the campaign, some lady in the front row, a photographer, asked "is that airbrushed?" So I just lifted my shirt up and my stomach was the exact same thing as in the ads. It was actually kinda nice that she said that, because I'm sure plenty of people probably thought that. That's one of the reasons I did it - especially when you work so hard to get your body to look like that - it's frustrating.
I knew that one movie could either kill my career or give birth to it. It's the same thing with Nelson. If you fail at Nelson [movie about nelson Mandela], you don't get to comeback and say, 'Well, I was trying. Let me do it again.' There are no re-takes.
A movie has to get good reviews, high grosses - it has to beat expectations. The same thing with television and the ratings. But being curious isn't like that. It's not a public thing. It's private, and the test is a private one. You have to be on your toes.
I read Animal House and I said, "I will burn down a house to be in this. I have to be in this movie." I read 1941 and I went, "Well, if Steven Spielberg likes it..." But it just wasn't on the page. It was a very big, unwieldy thing, and there were so many characters. It was fun to shoot, but I didn't know what the core of it was.
Lazy journalists, they'll read stuff and get a quote then ask the same question again hoping I'll say a similar thing; it's very tiresome.
I try to write a lot and my process is kind of back and forth. I procrastinate a lot so when I do sit down to write, I'm pretty lazy at it. And it's such a frustrating thing sometimes - writing - when you don't do it all the time, you get that thing in your head that you have nothing to talk about and you can't write songs.
I think we can be very narrow-minded in this country; you see something that someone's done and immediately want them to do the same thing again - but if they don't, they're criticised for not doing the same thing again, but if they do they're just repeating themselves.
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