A Quote by Marlene Dumas
When Black and White are colors and not races, people will still fall in love and discriminate between partners and feel sad and bad and need art that breaks your heart and takes you to those places where pain becomes beauty.
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Paint pictures with sound. First, find your white-the deepest, roundest sound you can play on the guitar. Then, find your black-which is the most extreme tonal difference from white you can play. Now, just pick the note where you've got white, pick it where you've got black, and then find all those colors in between. Get those colors down, and you'll be able to express almost any emotion on the guitar.?
In black and white there are more colors than color photography, because you are not blocked by any colors so you can use your experiences, your knowledge, and your fantasy, to put colors into black and white.
Guess what, Beyonce? White people like your music, too. White people buy your songs on iTunes, memorize your lyrics, and admire your talent and beauty. Little white girls wanna be like you just as little black girls do, but instead of that, you'd rather perpetuate the great battle of the races.
Jesus, I wondered, what do you do with pain so bad it has no redeeming value? It cannot even be alchemized into art, into words, into something you can chalk up to an interesting experience because the pain itself, its intensity, is so great that it has woven itself into your system so deeply that there is no way to objectify or push it outside or find its beauty within. That is the pain I’m feeling now. Its so bad, its useless. The only lesson I will ever derive from this pain is how bad pain can be.
That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
There is a natural disgust in the minds of nearly all white people to the idea of indiscriminate amalgamation of the white and black races... A separation of the races is the only perfect preventive of amalgamation, but as an immediate separation is impossible, the next best thing is to keep them apart where they are not already together. If white and black people never get together in Kansas, they will never mix blood in Kansas...
Grief does not end and love does not die and nothing fills its graven place. With grace, pain is transmuted into the gold of wisdom and compassion and the lesser coin of muted sadness and resignation; but something leaden of it remains, to become the kernel arond which more pain accretes (a black pearl): one pain becomes every other pain ... unless one strips away, one by one, the layers of pain to get to the heart of the pain - and this causes more pain, pain so intense as to feel like evisceration.
The people who survive avoid snowball scenarios in which bad trades cause them to become emotionally destabilized and make more bad trades. They are also able to feel the pain of losing. If you don't feel the pain of a loss, then you're in the same position as those unfortunate people who have no pain sensors. If they leave their hand on a hot stove, it will burn off. There is no way to survive in the world without pain. Similarly, in the markets, if the losses don't hurt, your financial survival is tenuous.
Your heart is not living intil it has experienced pain... the pain of love breaks open the heart, even if it is as hard as a rock.
When your characters are not white hats or black hats but something in between, you do have to be very careful about your details. So, that takes a while. I'm not interested in white hats and black hats. I don't think that's how people are in real life.
The more you have loved and have allowed yourself to suffer because of your love, the more you will be able to let your heart grow wider and deeper. When your love is truly giving and receiving, those whom you love will not leave your heart even when they depart from you. The pain of rejection, absence, and death can become fruitful. Yes, as you love deeply the ground of your heart will be broken more and more, but you will rejoice in the abundance of the fruit it will bear.
When it comes to our precious poor children of all colors, maybe disproportionally in percentage black and white and red, but all colors, yellow as well as white, we need to push toward integrated schools.
What you are in love with, what seizes your imagination, will affect everything. It will decide what gets you out if bed in the mornings, what you do with your evenings, how you spend your weekends, what you read, who you know, what breaks your heart, and what amazes you with joy and gratitude. Fall in love, stay in love, and it will decide everything.
You don't fall in love because you fall in love; you fall in love because of the need, desperate, to fall in love. when you feel that need, you have to watch your step: like having drunk a philter, the kind that makes you fall in love with the first thing you meet. It could be a duck-billed platypus.
Hollywood is so fixated on keeping it that way because it's generating the buzz, but that representation isn't right. I definitely feel like it's getting better - it's not only for blacks, but for people that are of all different skin colors. It is very important that black independent films get seen. We need to start getting used to black people. They exist. And they've been around for a long time. It's amazing that people still feel, "Oh my gosh, it's a black guy."
When I recollect her, I see a long list of colors, but it's the three in which I saw her in the flesh that resonate the most. Sometimes I manage to float far above those three moments. I hang suspended, until a septic truth bleeds toward clarity. That's when I see them formulate: THE COLORS RED: [rectangle] WHITE: [circle] BLACK: [swastika] They fall on top of each other. The scribbled signature black, onto the blinding global white, onto the thick soupy red.
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