A Quote by Marlene Dumas
I moved to Holland because I wanted to see American art.
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I studied in New York. I fell in love with an Australian-born, half-Filipina girl. So we moved to Australia when she went to her university and I moved with her. We moved to Montreal because she was going to take her year abroad, and I wanted to see if I could keep on writing there. It's really hard to make it as a writer in the Philippines.
I'm a shareholder in three networks in Holland. That allows me to put ideas that we create in Holland on air in Holland, and if it works, then we distribute the show's format globally.
[The Dutch] people want [refugees to be safe] but don't come here. And don't forget, people are very angry about that, that most of the people who came to Holland were younger people, often young men who crossed before coming to Holland six of seven safe countries in order to be in Holland. If they just wanted to be safe, they would have stopped at Turkey or maybe if you find Turkey unsafe, in Greece.
When you see the documentary, you'll see that there were parallels. Michael and I both wanted Daniel Craig, and it was the same as it was for Cubby and Harry when they wanted Sean [Connery]. The studio wanted a star and wanted an American, and wanted this and that, but they determined, "No, it's Sean Connery."
I wanted to do a political film that is as nonpartisan as can be, because I wanted to do a story that was American. I wanted to tell an American tragedy.
I went to art school, and I wanted to be an artist since I was 5. I basically moved to New York to do art, and I just sort of fell into doing music at an early age.
Donald Trump connected with the American public because they wanted to be like him. They aspired to be just like him. They wanted to see all of his affluence, and he let them see it.
I was getting my Ph.D. in Holland - I speak Dutch - for a number of years before I moved to France because I had one of those offers you couldn't turn down. They offered me to come and do my films.
My life changed incredibly when I moved from Holland to England.
I moved to Paris and I didn't really know what I wanted to do, but I moved in with a friend who had an apartment there and was looking for a roommate. Quickly, I discovered that I didn't know what exactly I wanted to do, but I wanted it to be a little creative.
What I never wanted in art - and why I probably didn't belong in art - was that I never wanted viewers. I think the basic condition of art is the viewer: The viewer is here, the art is there. So the viewer is in a position of desire and frustration. There were those Do Not Touch signs in a museum that are saying that the art is more expensive than the people. But I wanted users and a habitat. I don't know if I would have used those words then, but I wanted inhabitants, participants. I wanted an interaction.
The UFC are doing a tremendous job of promoting the sport worldwide. The views about the sport haven't always been so positive here in the Holland, but it's nice to see change and to see the UFC come to Holland, and everyone been really enthusiastic about it.
I taught myself how to draw, and I soon found out it was what I really wanted to do. I didn't think I was going to create any great masterpieces like Rembrandt or Gauguin. I thought comics was a common form of art, and strictly American in my estimation, because America was the home of the common man - and show me the common man that can't do a comic. So comics is an American form of art that anyone can do with a pencil and paper.
People see owning a gallery as a way to get rich. I never thought that I could get rich in the art world. I wanted a life in art. I wanted to live with artists. I wanted to make beautiful shows.
I knew that I wanted to write about a very young woman because I wanted to see the eyes of the art world in a fresh or even slightly naive way. Because there's something very honest about entering a room and not having a read on everyone there.
I think Amsterdam is to Holland what New York is to America in a sense. It's a metropolis, so it's representative of Holland, but only a part of it - you know, it's more extreme, there's more happening, it's more liberal and more daring than the countryside in Holland is.
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