I don't know if it's really important, or intelligent even, when people say to me I'm a white Spike Lee, because they said to Spike Lee you're a black Woody Allen.
I'm interested to see what happens to Spike Lee with limited resources, you know? I love Spike Lee's movies. But you know what? I kinda liked his movies when he used to scramble and fight more for them.
Everybody knows when you've got a role in a Spike Lee movie, you're gonna blow up. But I happen to be the only person who's had the lead in the two Spike Lee movies nobody saw.
So many people - DPs, writers, and the assistants that go on to be directors and writers - come from the School of Spike Lee. He's almost set up an Institution of Spike Lee.
When I was first writing, my little prayers were, 'Please, please, please. Let something be published someday.' Then it went to, 'Please, please, please. Let somebody read this.'
I'm from New York, and yet I've done only one film executive-produced by Spike Lee and have never done a film that Spike Lee directed. I've never done a film that Keenan Wayans has directed, or Bill Duke.
I'm the wife Spike Lee deserves. A white woman, which he says he would never be with, so let's get someone really white. I am Spike Lee's wife from Hell. I'm white and weird and I won't pay enough attention to him. If he does any more of those angry interviews, I'm going to write him and see if he wants the wife he deserves.
In my opinion, Spike Lee is a national cultural treasure - to the black community in particular but to America in general.
Spike Lee is one of my biggest influences. What I love about Spike, other than he's just a fun guy to hang around, is that Spike is fearless. As much as people talk about him being politically outspoken, let's not forget that he's one of the best screenwriters, ever, in addition to being a visual master.
Ever since the romantic comedy-drama 'She's Gotta Have It' antagonized black women and black men in 1986, Spike Lee's films have enjoyed the outrage of various groups.
'Rent' was a special project for me. It was my first notable screenplay job. I worked with two wonderful directors on it, starting with Spike Lee in the summer of 2001. I wrote a draft for Spike and he was really good to me.
Spike Lee is not the first name you would probably think about redoing 'Oldboy.'
Me and Spike Lee are good friends. I got a lot of respect for Spike just because of who he is, what he stands for, and the support for that organization. Even when it was bad he was there.
Most of the great directors I've worked with - De Palma, Spike Lee - like rehearsals.
Please, please, please, please, please...,", squeezing his eyes shut because it somehow made the words more pure.
I did this movie with Spike Lee called Sucker Free City, and that would have to be my favorite role by far. It was just so much fun to work with Spike and shoot in San Francisco.