Ava DuVernay is my personal Phil Jackson. She's a perfect coach.
Working with Ava [ DuVernay] and Oprah [Winfrey], they're just so intimate. I feel like we're really family at this point.
I love Ava DuVernay. It would be cool if I got to work with her one day. She seems like a humble person.
Luckily enough, I've been able to work with Ava DuVernay, who was able to rally this large ensemble and get us all on the same page for 'Selma.'
It's easy to let ourselves off the hook and say, 'Oh, I would never own slaves.' Because this is in the DNA of this country, like we saw in Ava DuVernay's film '13th.' The cycle keeps repeating itself.
Ava DuVernay, Sheryl Crow, Diane von Furstenberg, Ashley Graham, Tracy Reese, Pat Benatar, Issa Rae, Betty White - they've all shattered glass ceilings, whether in music, fashion, or film.
I think that's something that Oprah [Winfrey] and Ava [ DuVernay] do seamlessly. They know how to connect to people and they know how to share our stories. To be a part of that is a blessing.
I had a lot of great bosses - I worked for Gina Prince-Bythewood for two years, I worked for Ava Duvernay as a PA on her first narrative film, and I worked with Mara Brock Akil, so a lot of wonderful role models.
I have so many mentors. I'm really lucky to be surrounded by incredible mentors, whether it be Solange Knowles or Gloria Steinem or Ava DuVernay, there are so many awesome people in my life, and so I'm lucky for them to kind of have fostered my identity as I grow into myself.
I feel like part of my journey as a filmmaker is to tell different stories, whether they are just a black perspective on things that aren't necessarily hood movies, or Tyler Perry movies or Ava DuVernay movies. Love all those people, but that whole thing has been sowed up already.
When I see other working actresses that are brown, I get so excited. I get so excited when I see Zoe Kravitz, Janelle Monae, Taraji P. Henson, Ava Duvernay, and all these beautiful women working.
John Lewis is such a remarkable human being. Literally, such a beautiful human being. I remember the first time I met him. We were in the middle of a scene and [Selma director] Ava DuVernay calls, "Cut," and then he literally just came in. He just came walking in.I just froze. I can't explain the feeling. Seeing somebody who was literally a living hero. He was a hero.
I don't speak Spanish, and I get so much crap for it. Oddly enough, it was the first language I learned, but somehow I lost it throughout the years. I can understand pieces of it, but I don't speak it. I need to speak it. I want to teach my kids Spanish.
Three trans women came up to me separately to tell me they had felt such a connection with Ava in 'Ex Machina' and her dream of finally coming to full female fruition. They had all cried; one said she was very emotional during the scene where Ava finally puts her skin on for the first time.
But over the years, I've learned not to believe too much in luck or accidents; T think everything happens for a reason. There's something to be learned from every moment, every experience we encounter during the brief time we spend on this planet. Call it fate, call it destiny, call it what you will; it really doesn't matter.
The first time you say something, it's heard. The second time, it's recognized, and the third time it's learned.