A Quote by Marlo Thomas
If it's one thing we learned from the first book, it's that you don't have to be a prizefighter, or a world-renowned architect, or a concert violinist to have been affected by the power of words.
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My first concert isn't that cool or ironic. I wish it had been like, "My first concert was the Backstreet Boys," but the first concert I went to, I think, was this band called The Samples.
I'll never forget the first concert I basically went to. Actually, Sonny and Cher was my first concert, but U2 was my first real concert. I was 17 and saw them at JFK Stadium and had really crappy seats.
One of the most rewarding things is meeting someone after a concert who has never been to a concert before. It is incredibly rewarding when they say, 'This is my first classical concert.' It is really exciting for everyone.
In my youth I wanted to be a concert violinist.
My father was a trained accountant, a BCom from Sydenham College and a self-taught violinist. In the 1920s, when he was in his teens, he heard a great violinist, Jascha Heifetz, and he was so inspired listening to him that he bought himself a violin, and with a little help from an Italian teacher, he learned to play it.
It wasn't an architect who did this, but if it had been an architect, it would have been a good day's work: there was a marketing person who convinced Walmart that their products sold better in daylight than electric light. It would have been interesting if an architect had deliberately designed this change with all its spatial consequences in mind, thinking about how the change would multiply across all the square footage of all the roofs of all the Walmarts in the world. It would have been a beautiful trick - a physical, practical, political pleasure.
I was at a Dolly Parton concert when I was about 9 years old. I saw her at the Ohio State Fair, and it was my first real concert that I'd been to. I saw that crowd and how they reacted and how great of a performer she was and the band. Just the energy of the whole thing collectively really captured me.
The first thing that an architect must do is to sense that every building you build is a world of its own, and that this world of its own serves an institution.
I initially thought I would be an architect, maybe. So I went to architecture camp and quickly learned that I did not want to be an architect. I was like, 'No. This is not for me.'
I first played the Royal Albert Hall when I was 14. I was a violinist with the Birmingham Schools Concert Orchestra, and we travelled down from the Midlands for the last night of the School Proms. We played some pieces from the Harry Potter films, and the violin parts were really hard.
Words are power. And a book is full of words. Be careful what power you get from it. But know that you do.
My first-ever concert was the Barney concert when I was, like, six. My mum took me because I was obsessed with Barney. Barney was actually my first crush... He's, like, literally better than all the guys in the whole world.
I myself hate that old Hemingwayesque paradigm of the writer as prizefighter and I have tried hard to create an alternate one for myself. When Anne Sexton admonished me, "We are all writing God's poem," I took it to mean there should be no competition between writers because we are all involved in a common project, a common prayer. But to Gore's and Norman's generation, particularly those male writers who served in the second world war, the prizefighter paradigm remains.
It's the best thing in the world, the most challenging thing in the world, being a parent, and one of the first lessons I learned was to ask for help.
If you take a book with you on a journey," Mo had said when he put the first one in her box, "an odd thing happens: The book begins collecting your memories. And forever after you have only to open that book to be back where you first read it. It will all come into your mind with the very first words: the sights you saw in that place, what it smelled like, the ice cream you ate while you were reading it... yes, books are like flypaper—memories cling to the printed page better than anything else.
God did not write a book and send it by messenger to be read at a distance by unaided minds. He spoke a Book and lives in His spoken words, constantly speaking His words and causing the power of them to persist across the years.
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