A Quote by Marlon Brando
Bertolucci is extraordinary in his ability to perceive, he's a poet...he is very easy to work for.
Related Quotes
I think the term poet is a very exalted term and should be applied to a man at the end of his work. When he looks back over the body of his work and he's written poetry then let the verdict be that he's a poet.
Geoffrey Hill may be the strongest and most original English poet of the second half of our fading century, although his work is by no means either easy or very popular. Dense, intricate, exceedingly compact, his poetry has always had great visionary force.
There is this tendency to think that if you could only find the magic way, then you could become a poet. "Tell me how to become a poet. Tell me what to do." . . . What makes you a poet is a gift for language, an ability to see into the heart of things, and an ability to deal with important unconscious material. When all these things come together, you're a poet. But there isn't one little gimmick that makes you a poet. There isn't any formula for it.
Gabriel Levin's book is a journey through time and through entrenched animosities of the Middle East. What's astonishing and refreshing is his ability to combine the reporter's perspective with a deep knowledge of poetry, including pre-Islamic Arab poems. A brilliant poet is at work here-a poet in the rugged landscape of conflict and pain.
The poet or the revolutionary is there to articulate the necessity, but until the people themselves apprehend it, nothing can happen ... Perhaps it can't be done without the poet, but it certainly can't be done without the people. The poet and the people get on generally very badly, and yet they need each other. The poet knows it sooner than the people do. The people usually know it after the poet is dead; but that's all right. The point is to get your work done, and your work is to change the world.
When Ulysses hears his own story sung by an epic poet and then he reveals his identity and the poet wants to continue singing, Ulysses isn't interested any longer. That's very astonishing.
Have I then no work to work in this great matter of my pardon? None. What work canst thou work? What work of thine can buy forgiveness or make thee fit for the Divine favour? What work has God bidden thee work in order to obtain salvation? None. His Word is very plain and easy to be understood, "To him that worketh not, but believeth in Him that justifieth the ungodly, his faith is counted for righteousness" (Rom. 4:5). There is but one work by which a man can be saved. That work is not thine, but the work of the Son of God. That work is finished.
I was very, very nervous about the naked scenes. I'm very shy and reserved. But it was Bertolucci and I have seen Last Tango. It's not pornographic. He's a master of eroticism. I stopped being self-conscious. You have to forget everything.
It seems to me that the poet has only to perceive that which others do not perceive, to look deeper than others look. And the mathematician must do the same thing.
One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.
In all likelihood, the only thing extraordinary about Tiger Woods was his golf: he had extraordinary coordination and extraordinary discipline - on the course, at any rate. That discipline was the source of his power.
Ego cannot bring anything extraordinary into the world; the extraordinary comes only through egolessness. And so is the case with the musician and the poet and the dancer. So is the case with everybody.
Mandelstam is the sort of poet who comes along very, very rarely. Even the two Russian poets whose work is often linked with his - Anna Akhmatova and Marina Tsvetaeva - though their work is more "urgent" than most American poetry, seem to me to operate at a lesser charge than Mandelstam.
I've got more in common with a three-toed sloth than I have with Winston Churchill. There is no easy comparison with any modern politician. The more you read about him, the more completely amazed you are about what he did - his energy, his literary fecundity, his ability to work - just unbelievable energy.
It's very important to me to be an American poet, a Jewish poet, a poet who came of age in the 1960s.
Mervyn Peake is a finer poet than Edgar Allan Poe, and he is therefore able to maintain his world of fantasy brilliantly through three novels. It (Gormenghast trilogy) is a very, very great work ... a classic of our age.
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