A Quote by Marlon Brando
If you want something from an audience, you give blood to their fantasies. It's the ultimate hustle.
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I really feel like 'True Blood' is a big, giant slice of cake for the audience every week; it's offering people 60 minutes of sometimes thought-provoking entertainment. If you're gonna give an Emmy out, you should probably give it to the audience of 'True Blood.'
A lot of people hustle differently, and I was like, 'You know what, let me hustle and create, and let me have something to show,' cuz my hustle led to opportunity.
It is not the job of artists to give the audience what the audience want. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artist. It is the job of artists to give the audience what they need
I want to give the audience what they want, but not at all costs. I want to leave them with something. I try to do that with every single movie I make.
I'd like to give the audience what they've always wanted to see and also I want to give the audience what they've never seen. It's these two things I'm striving for.
At Uber, we say, 'Always be hustling.' Even if you are an introvert and you haven't got hustle in you, you better get a co-founder who does. And if you haven't got enough hustle to find a co-founder who's got hustle, it's going to be tough. You've got to have a little hustle in you.
It's the band that really counts and not our egos. Egos probably destroyed more bands than anything else did, and that's something we want to avoid at all costs. We want to give the audience something real, something spectacular, and if it would be about egos, it would hardly be worth their time.
People's fantasies are what give them problems. If you didn't have fantasies you wouldn't have problems because you'd just take whatever was there.
I was a full-blown street cat. I was trying to hustle my way. I thought I was going to hustle my way to a mansion or something. I was doing pretty good, but I didn't realize that there was no way to win that game.
The audience got jaded, they want a hit, they want a big success, and so you don't want to experiment because you say, well, I'll disappoint the audience, they may not like it, I better do something that I think is more commercial.
I want to die, stripped, by myself, of all fantasies. That's the goal. I want to feel what is real, at the end, and only what is real. Grip fiercely with my eyes all that is around me--the people of my intimate life, the objects in the room, without the evasions of fantasies.
I want films to haunt an audience, to give them something to remember and be able to talk about.
People want it to be red, like blood. It's kind of funny. When I used to throw meat into the audience, I'd get letters from kids' mothers saying, "What's the best way to get blood stains out of my son's shirt?"
I want to give the audience the whole package, and for me, the whole package is to give them something fresh as well. It's not as much fun resting on your laurels.
I think the hustle is just in my blood - always hungry, never satisfied.
That's basically what the drive is: "I want to be famous, I want to be noticed, and I want to be approved of." That's basically what you're after. "Give me attention, give me applause, give me an audience. A. A. A. Straight As." That's all you're looking for.
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