A Quote by Marlon Wayans

I want to be believable in anything I take on. — © Marlon Wayans
I want to be believable in anything I take on.
When I play a gay character, I want to be as believable as possible. And when I'm playing a straight character, I also want to be as believable as possible. So the less that people know about my personal life, the more believable I can be as a character.
In the end, it's about the reality. You want something that's believable in the performances; you want something that's believable in the storytelling, in the writing. You just want to connect to something that you feel is real.
I don't want to take anything to the grave. I want to die used up and emptied out. I don't want to carry around anything I don't have to. I want to travel light.
Among its many other obligations, fiction always has to be believable. Life does not have to suffer such constraint, and much of what takes place is believable only because it happens.
Lord Jesus,' Christy whispered, 'I want You to hold the key. I want You to decide what should happen in my heart's garden. I want You to let in or send out anything or anybody You want. Especially with guys. I don't want to ever unlock that gate again. I want you to open it only when the right man comes along. Take the key, Lord. Take all my keys. I'll wait for you.
It turns out that good actors can make anything believable.
I don't reflect on sort of the age of the roles that I get. It's usually just what plays into what's believable - 'Am I believable at this age?'
I want to do roles that take women a step farther. I don't want to be slotted into anything. But if I get a brilliant role which requires me to be a mother, then I will do it. But I want people to see that a woman could be anything at whatever age, even if she is married or has two kids.
You can handle just about anything that comes at you out on the road with a believable grin, common sense and whiskey.
When you go into the realm of a double role, you have to take it to another level to make it believable.
I believe that if the story is fleshed out and the characters more believable, the reader is more likely to take the journey with them. In addition, the plot can be more complex. My characters are very real to me, and I want each of my characters to be different.
To take full advantage of computer animation, you have to pay as much attention to the believable as you do the unbelievable.
At the banquet table of nature, there are no reserved seats. You get what you can take, and you keep what you can hold. If you can't take anything, you won't get anything, and if you can't hold anything, you won't keep anything. And you can't take anything without organization.
I want a kiss to be so believable it gives the reader shivers.
If you want a lover I'll do anything you ask. If you want a different kind of love I'll wear a mask. If you want to strike me down in anger here I stand. If you want a partner in life take my hand. I'm your man.
You never want to just be outrageous for outrageous' sake 'cause then it doesn't work, and it's not believable. You want to be as true to whatever character you're playing.
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