A Quote by Marouane Fellaini

Critics help you progress: you end up working more; you want to show them they are wrong. — © Marouane Fellaini
Critics help you progress: you end up working more; you want to show them they are wrong.
I think as you get older, you realize there's always going to be critics. Critics are going to win every time because they can change their critique based on the stats and their own personal feelings. It's less about proving people wrong, the critics wrong, and it's more about challenging myself to keep this level up.
It's not called 'Queer Eye For the Straight Guy' now for a reason. We want to be able to help more and more people, and why wouldn't we help women, and why wouldn't we help a trans man? I want to help as many different groups as physically possible with this show.
At the end of the day, when you get a sponsor, it's a working relationship. So anyone I get involved with, I want it to be a working relationship where I'm generally trying to help them and they're generally trying to help me.
Every good laboratory consists of first rate men working in great harmony to insure the progress of science; but down at the end of the hall is an unsociable, wrong-headed fellow working on unprofitable lines, and in his hands lies the hope of discovery.
When we get people to log in, they end up using Quora a lot more, and we can provide a lot better experience for them. We can show them a personalized news feed; we can send them digest emails and do all this ranking to find some stuff they want to read.
If you have technological progress, that will encourage more capitalist system. On the other hand, if you don't, if things are stalled, you end up with much more of a zero sum type thing, where there's no progress and basically everybody's gain is somebody else's loss.
It's still word of mouth that is going to make or break a show, and while critics can't help a show, they can hurt it.
One of the things I love about directing is I love actors, because no matter how complex they are, once you get down to working and talking to them and the toughest guy will want you to open them up and he wants to show you stuff he was afraid to show anybody before.
When you view marketing from the vantage point of the guerrilla, you realize that it’s your opportunity to help your prospects and customers succeed. They want to succeed at earning more money, building their company, losing weight, attracting a mate, becoming more fit, or quitting smoking. You can help them. You can show them how to achieve their goal. Marketing is not about you. It’s about them. I hope you never forget that.
You cannot help another who will not help him or herself. In the end, all souls must walk their path - and the reason they are walking a particular path may not be clear to us... or even to them at the level of ordinary human consciousness. Do what you can to help others, of course. Show love and caring whenever and wherever you can. But do not get caught up in someone else's "story" to the point where you start writing it.
I don't want people who are in poverty, in pain, or suffering, to suffer because it's for their own good and they can pull themselves up by their bootstraps. I want to help them. I want us all to help them.
When a show becomes successful, people want to hire the people on the show for other things, and we would all try to do other things, but we could never end up doing them, so casting directors were just like, 'Enough of them! Don't touch the 'Glee' kids, because you can't use them!'
Many of my sharpest critics have decided to take a position of ignoring me - because they feel that by attacking me, they would draw attention to my book and give me more publicity and help me sell more books. So I think that they decided that the best thing for them to do is to say nothing. Also, I think that some of my critics simply can't refute my argument - and so it's easier for them to ignore it as well, so that they're not forced to confront the logical contradiction in their own position.
As a teacher, I can help my students see what is working and not working. I can show them certain solutions. I can guide them to books that will serve as role models. Largely, though, one learns to write almost like developing muscle memory, and this requires years of effort.
People are working hard in the USA to make things. And I want to help them do it even more.
If ten men are carrying a log - nine of them on the little end and one at the heavy end - and you want to help, which end will you lift on?
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