A Quote by Marques Brownlee

I don't edit on laptops anymore. — © Marques Brownlee
I don't edit on laptops anymore.
I write a chapter, then edit it and edit it and edit it and edit it. I don't think we mine creativity from within. It's bestowed from on high, from God.
Kids are on their keyboards so much, between their smartphones and laptops, no one writes anything anymore. It's atrocious.
I do like a song that can look good on a page without even being sung. I edit and edit and edit.
Technology tools such as laptops are the kind of help that we need. A program that provides laptops for all youngsters would close a gap that most of us are not aware of, or will not admit to, which is a tremendous gap in the poor communities.
I know that many authors say editors don't edit anymore, but that's not been true in my experience.
I don't think writing stops until the film is out. In the edit, it's another draft. [The script] is the food for set, and then the set is food for the edit, and the edit is food for the screen. It's constant, and this is just the first stage of it.
In TV, you are much more likely to see the episode closer to the script as written - in terms of the order of the scenes - than you would in a movie, and here's why: you don't have as many days to edit. You have 10 to 12 weeks or more to edit a feature, and you have four days to edit TV. That's a huge difference.
[Writing] is edit, edit, edit. It's almost like getting a boat ready to go to sea. You've still got a countless number of things left to fix, but you've just got to go, "O.K., everybody get on the boat. We're going, ready or not."
Those two pilots that sped 150 miles past their Minneapolis destination have been suspended. They got suspended because they were looking at their laptops instead of flying the plane. Think about this -- everybody else on the plane has to turn off their laptops except for the people flying the plane.
I had never seen anyone edit the way that I edit before I did it, and it's just what felt right to me.
You might not write well every day, but you can always edit a bad page. You can't edit a blank page.
I shoot a scene, edit it, and then, two days later, I doubt whether or not it has turned out right. I reshoot a small part of it, go back to the first edit of it, and do all sorts of things.
I think that's all you do as an actor. You give ingredients for the edit, and the edit's the stew, and they try to make a meal out of it. That's all you are. You just throw things in. This is an idea, this is an idea.
Take the time you need to learn the craft. Then sit down and write. When you hand over your completed manuscript to a trusted reader, keep an open mind. Edit, edit, and edit again. After you have written a great query letter, go to AgentQuery.com. This site is an invaluable resource that lists agents in your genre. Submit, accept rejection as part of the process, and submit again. And, of course, never give up.
I'd always rather stand or fall on my own mistakes. There's nothing worse than looking back, in a published book, at a line edit or a copy edit that you felt queasy about and didn't want to take, but took anyway.
I think too many people edit themselves way too soon. There's plenty of time to edit, and it is a crucial part of it all, too.
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