A Quote by Marques Brownlee

Every camera shoots horizontal, right? So we're all super used to framing things with lots of horizontal room. We've seen this new wave of Snapchat stories and Instagram stories where people are actually framing for and recording in vertical. Whether it's better or not is debatable.
When you play guitar you are drawing a frame around a moment and saying to the listener, 'Here is how I want you to experience this. How you begin and end a solo is framing, How you structure a song is framing, how you present yourself onstage is framing. See every corner, not just the center, framing should heighten the impact of the art and give clarity to your vision.
We think of stories a lot of the time as being horizontal texts, beginning to end. But I love the idea of having little vertical spikes in the story, too.
You can get a sense of the wonderful power of framing by holding your fingers up in a kind of square, walking around the room and framing it differently - how that changes the nature of what you think the room is like.
You use the vertical edge as the point of reference, instead of the horizontal edge. I have a picture of a beggar, where there's an arm coming into the frame from the side. And the arm is parallel to the horizontal edge and it makes it work. It's all games, you know. But it keeps it interesting to do, to play.
Vertical lift-up politics rather than horizontal left-right.
It's what I like to call the horizontal Jesus. Vertical Jesus are the songs that say 'Lord I love you, Lord I praise you, Lord I thank you' and horizontal is 'I'm in a situation. This is the problem. How can I apply that now horizontally?' There are more problems in the world because he's not being applied horizontally.
Whether you're a woman, a transwoman, a person of color, I feel like Instagram is really important for the creation and framing of the self.
New York being what it is, our museums are vertical, not horizontal. That means the stumbling blocks to architectural clarity are unavoidable - but certainly surmountable.
What I think is great about Pippin, specifically, and I wouldn't make this generalization about all musicals, is that it is about how we tell stories and the way stories are very subjective. How we tell some things and leave other things out in the way The Princess Bride is or The Wizard of Oz is, which both have a framing device.
Dancing is a vertical interpretation of a horizontal intention.
We live in an age where quantity is seen as preferable to quality, and many people tend to work in a horizontal line: next, next, next. But if you do that, you never investigate the vertical line - the depth of the piece.
Thanks to the oval I have discovered the meaning of the horizontal and the vertical.
Charity, vertical, humiliates. Solidarity, horizontal, helps.
I won't consider getting horizontal with someone I can barely tolerate when we're vertical.
Let us honor if we can the vertical man, though we value none but the horizontal one
The developing world can just do things that are extensive or horizontal, that basically copy. The developed world needs to do things that are intensive or vertical, where we take our civilization to the next level.
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