A Quote by Marquis de Sade
What we are doing here is only the image of what we would like to do.
Related Quotes
The image can only be studied through the image, by dreaming images as they gather in reverie. It is a non-sense to claim to study imagination objectively since one really receives the image only if he admires it. Already in comparing one image to another, one runs the risk of losing participation in its individuality.
There is no need to change my image. I like my image, and the audience likes it, too. I am very comfortable with the kind of roles I do, and as I am not doing the same character or playing myself. I explore my characters; I don't brood over my broody image.
I could have made a lot of money doing 'Golden Girls,' and I would have been good. But the image of it! And for me to work with Betty White every day would be like taking cyanide.
God reproduces and lives out His image in millions of ordinary people like us. It is a supreme mystery. We are called to bear that image as a Body because any one of us taken individually would present an incomplete image, one partly false and always distorted, like a single glass chip hacked from a mirror. But collectively, in all our diversity, we can come together as a community of believers to restore the image of God in the world.
I often think of the image only I can see now, and of which I’ve never spoken. It’s always there, in the same silence, amazing. It’s the only image of myself I like, the only one in which I recognize myself, in which I delight
Tons of women would love to have sex with me. I hate the image of black men as promiscuous and unable to control themselves sexually. I don't like that image.
I used to imagine what it would be like to do what Jim Brown was doing. I used to imagine what it would be like to be like a Tony Dorsett. I used to imagine what it would be like to be like a Walter Payton. I was imagining Emmitt Smith doing exactly what they were doing.
For the black man to come out superior would be against America's teachings. I have been so great in boxing they had to create an image like Rocky, a white image on the screen, to counteract my image in the ring. America has to have its white images, no matter where it gets them. Jesus, Wonder Woman, Tarzan and Rocky.
A photograph is not only an image (as a painting is an image), an interpretation of the real; it is also a trace, something directly stenciled off the real, like a footprint or a death mask.
The only times we are consciously aware of the authorship of a photograph, I would argue, are when we contemplate the photographs we ourselves have taken (or those of friends and family) or when we go deliberately to the photographers monograph or exhibition. The signed image - the appropriated, the owned image - is by far the rarest in this pullulating world of pictures.
I can understand how people would despise my image and my father's persona. My father's image amongst the poorest of people, those forgotten by the state, still remains a respected image. Whether we like it or not, my father was an important figure who filled a vacuum left by the state amongst the lower social classes.
In the days of witchcraft it used to be believed that if one person secretly made a waxen image of another and stuck pins into the image, its counterpart would suffer tortures, and that if the image was melted the person would die. This superstition is almost realized in the relation between the private self and its social reflection. They seem to separate but are darkly united, and what is done to the one is done to the other.
Maybe this was my luck that I was in Munich the only one with a look like this, the only one with an image like this. But in the States, there is a lot of more competition.
Part of being a pop star is image. I'm told by many of my female fans that I was the poster on their bedroom walls. But if I only had that - the image and the beauty and the curly locks - I would have been a 'normal' pop star, one who comes and goes after one hit record.
I'm the original hunter-down-of-fabulous-things. Twenty years ago I sat down and decided that I would create a really wonderful image, an unforgettable image. And now I'm kind of stuck with it. It's like when I don't wear my fringy, gypsy stuff, people kind of look at me like, 'What's wrong?
You know, there's nothing you can do about your public image. It is what it is. I just try to do things honestly. I guess honesty is what you would call subjective: if you feel good about what you're doing, yourself, if you figure you're doing the right thing.
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