A Quote by Marquis de Sade
Certain souls seem hard because they are capable of strong feelings, and they sometimes go to rather extreme lengths; their apparent unconcern and cruelty are but ways, known only to themselves, of feeling more strongly than others.
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Certain souls may seem harsh to others, but it is just a way, beknownst only to them, of caring and feeling more deeply.
Nothing in this world is more powerful, or more dangerous, than the truth. That's why some people go to such lengths to avoid hearing it. It may also be why others strive so hard to keep their conversations empty. They wouldn't want to find themselves accidentally saying something meaningful that might bring about a change.
We knew when we started the Daily Muse, we wanted a recruiting-focused business model rather than an advertising-focused one. We felt like publishers were being forced to go to more and more extreme lengths to monetize through advertising.
I'd much rather be in a movie that people have really strong feelings about than one that makes a hundred million dollars but you can't remember because it's just like all the others.
The profound immoralities of our time are cruelty, indifference, injustice and the use of others as means rather than ends in themselves.
A strong woman is a woman who craves love like oxygen or she turns blue choking. A strong woman is a woman who loves strongly and weeps strongly and is strongly terrified and has strong needs. A strong woman is strong in words, in action, in connection, in feeling; she is not strong as a stone but as a wolf suckling her young. Strength is not in her, but she enacts it as the wind fills a sail.
Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.
The ability to help others gain insights seems very important to me, and I think one of the most effective, but most difficult, ways is to listen sympathetically when people seem to be saying stupid things or thinking in confused ways. Rather than write them off, we can try to diagnose what is wrong with their thinking - what flawed belief they might be holding. And then search for ways that enables them to discover the flawed belief for themselves.
Music is made of what we do when we move, and we can only move in certain ways, in certain ranges of tempo because of the inherent constraints that our bodies offer, or you can call them 'affordances' - that's another word for me. It's a little more positive; doesn't make it seem like a limitation, but rather, a set of opportunities. You can say that that's part of music making, but there's also the imagination. The power of the imagination is kind of trumping - sorry to have to use that word.
The motives to actions and the inward turns of mind seem in our opinion more necessary to be known than the actions themselves; and much rather would we choose that our reader should clearly understand what our principal actors think than what they do.
You couldn't make yourself stop feeling a certain way, no matter what the other person did. You had to just wait. Eventually the feeling went away because others came along. Or sometimes it didn't go away but got squeezed into something tiny, and hung like a piece of tinsel in the back of your mind.
Happiness is often presented as being very dull but, he thought, lying awake, that is because dull people are sometimes very happy and intelligent people can and do go around making themselves and everyone else miserable. He had never found happiness dull. It always seemed more exciting than any other thing and capable of as great intensity as sorrow to those people who were capable of having it.
To me acting and doing movies is really strongly about the present time. It's all about when you do it. It's to create this feeling of extreme awareness and concentration. Because it doesn't happen without an extreme concentration, when you are completely immersed and focused on that.
With any cover, I like to choose songs that affected me strongly already. So it's tough sometimes to take a song that you love so much and put your own spin on it because you get such a strong feeling from the original.
War is smaller in scale than in recent memory, but it is far more ambiguous, intractable, and nasty. Money flows more quickly than ever, but it is still somehow manages to gather and puddle in certain places, for certain people rather then others.
I don't think I avoided being type cast, because I do sometimes get similar roles. It is not a bad thing because we are strong at what we are strong at, not meaning that we cannot do other things, but sometimes somebody else might bring a little more realism than you, because that is more of who they are than who you are. I do get a chance to play other people and other types of roles.
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