A Quote by Marquis de Sade

The impossibility of outraging nature is the greatest anguish man can know. — © Marquis de Sade
The impossibility of outraging nature is the greatest anguish man can know.
The greatest error of a man is to think that he is weak by nature, evil by nature. Every man is divine and strong in his real nature. What are weak and evil are his habits, his desires and thoughts, but not himself.
Nature is man's inorganic body -- that is to say, nature insofar as it is not the human body. Man lives from nature -- i.e., nature is his body -- and he must maintain a continuing dialogue with it is he is not to die. To say that man's physical and mental life is linked to nature simply means that nature is linked to itself, for man is a part of nature.
An exact poetic duplication of a man is for the poet a negation of the earth, an impossibility of being, even though his greatest desire is to speak to many men, to unite with them by means of harmonious verses about the truths of the mind or of things.
As if to demonstrate, by a striking example, the impossibility of erecting any cerebral barrier between man and the apes, Nature has provided us, in the latter animals, with an almost complete series of gradations from brains little higher than that of a Rodent, to brains little lower than that of Man.
...the greatest source of misery in the world, the greatest cause of anguish and hatred and sadness and death, was neither disease nor race nor religion. It was hope.
There's really no question that there is an anguish associated with the inability to marry in this life. We feel for someone that has that anguish. I feel for somebody that has that anguish. But it's not limited to someone who has same-gender attraction.
'Gone Girl' is as much about the near impossibility of being a good husband as it is about the anguish of being a good wife.
Our religion is itself profoundly sad - a religion of universal anguish, and one which, because of its very catholicity, grants full liberty to the individual and asks no better than to be celebrated in each man's own language - so long as he knows anguish and is a painter.
In struggling against anguish one never produces serenity; the struggle against anguish only produces new forms of anguish.
Man's nature is not essentially evil. Brute nature has been know to yield to the influence of love. You must never despair of human nature.
I believe that it would be almost impossible to find anywhere in America a black man who has lived further down in the mud of human society than I have; or a black man who has been any more ignorant than I have; or a black man who has suffered more anguish during his life than I have. But it is only after the deepest darkness that the greatest joy can come; it is only after slavery and prison that the sweetest appreciation of freedom can come.
For my generation - the "Children of Nixon," as I call us in the book - the Lebanese civil war was an iconic event. Downtown Beirut became a metaphor for so many things: man's inhumanity to man, what Charles Bukowski called "the impossibility of being human." It shaped our perceptions of war and human nature, just as Vietnam did for our parents. We used it to understand how the world works.
The greatest joy in nature is the absence of man.
Confronted with the impossibility of remaining faithful to one's beliefs, and the equal impossibility of becoming free of them, one can be driven to the most inhuman excesses.
Of the laws of nature, on which the condition of man depends, that which is attended with the greatest number of consequences, is the necessity of labor for obtaining the means of subsistence, as well as the means of the greatest part of our pleasure.
The nature of anguish is translated into different forms.
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