A Quote by Marsai Martin
My parents and I always look at movies and just think, 'What's missing?' from the plot to the people of color or diversity in general.
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I think it's important to always have diversity, in our Congress or anywhere, but you also need diversity not just for women of color who are most underrepresented, but diversity in different walks of life.
We do need more deaf people in Hollywood. But I don't think that deaf people always have to play a deaf role. I think we can play different roles. We need to see more diversity period. More people of color. More disabled people. More gender diversity. All kinds of diversity.
Diversity is such an interesting word. I feel like when people hear the word 'diversity,' they think that it means only people of color, when in reality, diversity is all-inclusive; it means everyone.
Statistics show that diversity in the media is pretty dismal. Critical voices from women and people of color are missing from many important conversations.
My hope is to see people of color in roles that do not emphasize race. Often times when movies are centered around people of color, they are movies where the storyline is based on some racial component. I want to see movies where people of color play more interesting, nuanced characters.
I think sport in general affects what people see in movies. I always try to explain to people in Hollywood that we have to make movies more like sport because, in sport, everything can happen and it's so much better than movies in some ways.
Katherine Johnson never complained, it just was what it was. She just said, "I just wanted to go to work and do my numbers." And she stopped right there. I think about that as a Black woman in Hollywood when I'm asked about diversity. I hate when people say diversity because the first thing you jump to is Black and white. When you talk about diversity, you're talking about women being hired in front of and behind the camera. You are talking about people with disabilities, the LGBTQ community...so I hate when people think about diversity.
Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.
With the athletes, there's a lot of diversity. But when you look at the management, coaching and the boards, there's not that much diversity there. I think it's diversity within those roles that's needed.
The earliest influence on me was the movies of the thirties when I was growing up. Those were stories. If you look at them now, you see the development of character and the twists of plot; but essentially they told stories. My mother didn't go to the movies because of a religious promise she made early in her life, and I used to go to movies and come home and tell her the plots of those old Warner Brothers/James Cagney movies, the old romantic love stories. Through these movies that had real characters, I absorbed drama, sense of pacing, and plot.
I think when you look at the diversity of the readership, all the different people who love comics, I want comics to reflect the real world, and I think Marvel does a good job of trying to do that, but I don't think there's ever an end point when it comes to creating diversity and creating stories that people can relate to.
I just think, as a people in general, we should always look at ourselves as the underdog, so we should always go harder than the next person.
When people think of diversity, they think people of color, but it also means women, who are severely underrepresented as directors, writers and producers.
I look at movies, unfortunately, and I still see a lot of movies [lacking diversity].
I think people just don't respect women's bodies in general, the bodies of women of color in general.
If I had to catalog all the moronic plot turns in The Day After Tomorrow, we'd be here until the next ice age. It's just so very bad. You can have a pretty good time snickering at it-unless, like me, you think there's something to this global warming thing, and you shudder at the irony of a movie meant to warn people about a dangerous environmental trend that completely discredits it. Is it possible that the film is a plot to make environmental activists look as wacko as anti-environmentalists always claim they are?
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