A Quote by Marsai Martin
I wanted other people to see what's in my mind as a young 14-year-old girl because sometimes, when men - or just older people - try to make films from what they think is a kid's perspective, it doesn't come out the right. It's like, 'Ehhh, that's probably not what we would do!'
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My body is full of graves. A sepulcher is dug up, and a young girl comes out of it with her dusty hands in tears. A lady who is a young girl and an old girl at the same time feels the presence of the young girl. I feel that the 15-year-old me and the 50-year-old me come out of the sepulcher through an illegal excavation.
More than anything, I wanted to make sure that everybody was a pusher of difference. And they had to be able to do it in a communicative way, not esoterically. Because there are a lot of people who push things forward but sometimes only you and two people out of 500 in the room get it, but you want somebody who has mastered their craft so well that an 8-year-old gets it just like an 80-year-old gets it. They get the same visceral feeling.
I've always liked wrinkles. When I was a young girl, I used to make lines on my face with my nails because I loved Jeanne Moreau. I always wanted to be older; I always added years to my life. For the longest time, if people thought I was older, I would take it as a compliment.
I've always liked wrinkles. When I was a young girl, I used to make lines on my face with my nails because I loved Jeanne Moreau. I always wanted to be older; I always added years to my life. For the longest time, if people thought I was older I would take it as a compliment.
I'm blessed. I have a 13-year-old girl's eye and a 14 year-old boy's eye. I've been given the gift of sight by people who decided to donate organs. I try to do as much organ-donor work as I can.
My fan base is extremely random. It's the 14-year-old white kid sitting next to your auntie from St. Luke's Baptist Church, to the 20-year-old Black girl who probably would go to a Rihanna concert, but she's coming to my show.
I've never run across anybody who suggested that women need to be reprogrammed. I don't think I've even come across anybody who wanted to teach a girl how to throw right. They just accept it is what it is. But honestly, folks, it's always reprogramming men. It's always men who seem to provide or be at the root of all of these cultural problems. And if we could just make men less like men and more like, I guess, women, then we would be rid of all of these problems.
I love young people because they are always looking ahead, and older people because they can look back; and both make sense of the world so economically. You can learn so much from the wisdom of the young and the old. I'm just in between!
I think there are so many young girls out there who may be discouraged by the images they see in magazines or on TV, because it's such a media-driven culture. But people will be a lot more accepting of themselves when they feel included. Through my website, I'm in touch with a 13-year-old girl from Brazil; like me, she was born with a piece of her arm missing. She thanked me for the work I'm doing and said I give her strength, inspiration and confidence. Showing a young girl like that how you can be happy and have feelings of confidence is one of my biggest achievements to date.
There's always this joke that I say in Israel: people don't really have discussions; they just try to convince the other people that they are wrong or they are right - they just try to impose their opinion on the others. Sometimes I think it's easier to avoid talking about things and just make music.
It's so cool though when I see thirty-year-old men that are coming in to watch my shows. It's like, 'You really like my music? Like a teenage girl, you relate to it?' It just proves how much people are alike.
I make no apologies for Popeye. Behind M*A*S*H, it's my biggest hit. It got maligned by the critics because it wasn't Superman. It wasn't about special effects and it wasn't made for 14-year-old boys. The majority of films are made for 14-year-old boys; I don't know where they get the eight bucks to get in. It's hush money from the parents.
You go on these Internet blogs and people say the meanest things. I'm a normal person. Just because I'm in the spotlight doesn't mean I'm God's gift to the world. I'm learning and making mistakes just like every other 17-year-old girl out there.
Strangely, producing "Parisienne" was very long and difficult because the people who mainly finance films didn't understand the idea of a young foreign girl having a good time in Paris. They wanted to see her suffering and poor, and definitely not falling in love with three French men!
You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff.
I kind of struggled as a 10-year-old to make out what it meant that Martin Luther King and Bobby Kennedy were killed within two months of each other. I think I was 14 when Watergate happened and a president was impeached. So between my birth and age 14, I just saw a lot of turmoil.
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