A Quote by Marsden Hartley

The reading of tourist prospectuses is one of the joys of the world -- it is like operetta in prose -- all so flowery and heavenlike. — © Marsden Hartley
The reading of tourist prospectuses is one of the joys of the world -- it is like operetta in prose -- all so flowery and heavenlike.
Prose is like this big block - you write big paragraphs. I feel that when I'm reading and writing, that a prose book is kind of monolithic. But a song is more like a feather or something.
There are two worlds: the world of the tourist and the world of everyone else. Often they're side by side. But the tourist doesn't actually see how people live.
Poetry has an indirect way of hinting at things. Poetry is feminine. Prose is masculine. Prose, the very structure of it, is logical; poetry is basically illogical. Prose has to be clear-cut; poetry has to be vague - that's its beauty, its quality. Prose simply says what it says; poetry says many things. Prose is needed in the day-to-day world, in the marketplace. But whenever something of the heart has to be said, prose is always found inadequate - one has to fall back to poetry.
I am a pretty omnivoracious reader in respect to prose style, but if the prose doesn't have its own music, if the relationship to the sentence seems unconsidered or superficial, I have a really hard time reading the work.
I think many people (like myself) prefer to read poetry mixed with prose; it gives you more to go by; the conventions of poetry have been getting far off from normal life, so that to have a prose bridge makes reading poetry seem more natural.
Writing a poem is a more personal experience, I think, than writing prose. And perhaps reading a poem is a more personal experience than reading prose, though that's harder to say.
I'd rather call prose poems something else, for clarity - something like "poetic prose," prose that contains a quality of poetry, but not poems.
My writing is a combination of three elements. The first is travel: not travel like a tourist, but travel as exploration. The second is reading literature on the subject. The third is reflection.
I'm a failed poet. Reading poetry helps me to see the world differently, and I try to infuse my prose with figurative language, which goes against the trend in fiction.
Reading has always been the largest and most irreplaceable pleasure for Vincent; reading about other people's successes and failures, joys and sufferings seemed to bury his own failures.
I'm a tourist, a glorified tourist. I'm not doing it to have a good time or to lie in the sun.
The flowery style is not unsuitable to public speeches or addresses, which amount only to compliment. The lighter beauties are in their place when there is nothing more solid to say; but the flowery style ought to be banished from a pleading, a sermon, or a didactic work.
The worst thing about being a tourist is having other tourists recognize you as a tourist.
There are two kinds of reading, reading which is contemplation - even a kind of vision & reading for information. For the first only the best will do, for the rest - then one can let in anything one would like to read in the world.
I've already written 300 space poems. But I look upon my ultimate form as being a poetic prose. When you read it, it appears to be prose, but within the prose you have embedded the techniques of poetry.
I like reading. I prefer not reading on my computer, because that makes whatever I am reading feel like work. I do not mind reading on my iPad.
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