A Quote by Marsha Norman

I have had an inordinate and painful concern for the audience in my writing career. — © Marsha Norman
I have had an inordinate and painful concern for the audience in my writing career.
At that time, I had recently finished a book called Amazing Grace, which many people tell me is a very painful book to read. Well, if it was painful to read, it was also painful to write. I had pains in my chest for two years while I was writing that book.
I eventually want to do writing on all the films, but not necessarily to be the writer. Writing is a painful, painful thing; it really is.
Poor people are as much in danger from an inordinate desire towards the wealth of the world as rich from an inordinate delight in it.
If you're performing music that is not who you are or where you're at, it is painful. It's painful for the performer and for the audience.
I think the crucial thing in the writing career is to find what you want to do and how you fit in. What somebody else does is of no concern whatever except as an interesting variation.
Clear writing is universal. People talk about writing down to an audience or writing up to an audience; I think that's nonsense. If you write in a way that is clear, transparent, and elegant, it will reach everyone.
I'm not writing necessarily for an audience. I think about the audience at the end, once I have a complete book. But, when I'm writing it, I really need to feel like I'm learning, and I'm investigating something that I'm personally interested in.
If you expect to be successful and you expect to raise a family while having a career then you will strive for that; if you strive for it then hopefully you will achieve it. So I think for my own daughter, she's going to grow up with a working mom. One that has had to make some painful choices and face some painful realities.
I've always assumed from the beginning that I had relatively few contemporaries among my readership. Not that I was consciously writing for a younger audience but that what I was doing interested a younger audience, or at least threatened them less.
Since I make my living as a literary journalist, not a book scout, I spend inordinate amounts of time either reading or writing.
I've always wanted to be a part of that experience of writing to an audience that is just starting to fall in love with books. When I felt that my writing for adults had become cemented, I decided to write a YA series.
We understand our audience. We write to the things that concern our audience. At one point, it was civil rights. You know, during the '50s and '60s, we were at the forefront.
When I realised that I had feelings for men as well as women, at first I was worried and frightened, and there was a certain amount of 'Who am I? Am I a criminal?' and so on. It took me a long time to come to terms with myself. Those were painful years - painful then and painful to look back on.
I feel very much a part of what I'm writing about, and I'm writing about things that concern me on a daily basis. I'm not really interested in writing musical diaries, if you know what I mean.
Fiction writing was in my blood from a very young age, but I never considered writing as a real career. I thought you had to have some literary pedigree to be a successful author, the son of Hemingway or Fitzgerald.
I tend not to think about audience when I'm writing. Many people who read 'The Giver' now have their own kids who are reading it. Even from the beginning, the book attracted an audience beyond a child audience.
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