A Quote by Marsha P. Johnson

History isn't something you look back at and say it was inevitable, it happens because people make decisions that are sometimes very impulsive and of the moment, but those moments are cumulative realities.
There is no better moment than this moment, when we're anticipating the actual moment itself. All of the moments that lead up to the actual moment are truly the best moments. Those are the moments that are filled with good times. Those are the moments in which you are able to think that it is going to be perfect, when the moment actually happens. But, the moment is reality, and reality always kinda sucks!
That is the great thing about policing, you do have a lot of responsibility very early and you have got to make decisions, sometimes life and death decisions, very quickly and there is something about putting a uniform on and thinking 'people are looking to me to make decisions and to look after them' that makes you feel capable.
I really do think inspiration comes from day-to-day life. I think there's things that pique our interest - not necessarily aha! moments - but things that just kinda make you raise your eyebrows. And those are often the moments that are the seeds of inspiration. Sometimes they're in a great conversation with friends, sometimes they're things you see live, something you read, a movie trailer you watch... I think inspiration is kind of laid out there. One thing we have to practice is recognizing when it happens, and recording that moment so we can come back to it.
I would like to say every moment counts for you, so make the time that you spend for your dreams a very special moment, make sure that you do something that you'll be happy with when you go back and look at yourself.
People make decisions that may have one intent and yet are somehow perverted into something else. And sometimes it's because of design. Sometimes it's because of happenstance. But very often, it's mysterious to them.
One of those moments he knew he'd remember and look back on, one of those moments that he'd try to capture in the stories he told. Nothing was happening, really, but the moment was thick with mattering.
It's those moments, those odd moments that you look for and sometimes by creating this kind of loose atmosphere you find those little moments that somehow mean a lot to an audience when they really register right.
Mild depression is a gradual and sometimes permanent thing that undermines people the way rust weakens iron ... Like physical pain that becomes chronic, it is miserable not so much because it is intolerable in the moment as because it is intolerable to have known it in the moments gone and to look forward only to knowing it in the moments to come.
I know that young people sometimes, caught up in the moment, make some very foolish decisions.
If you can say something to people that's maybe a little bit insulting, but they're kind of giggling as they are hearing it, if you say something to their face without them getting mad at you, I think that's the right balance. You don't want to make it uncomfortable, especially for the viewer or the people around either. Sometimes that happens. You're watching and you're like, 'Uh, this is awkward. I don't want to look!' But, if everybody's enjoying it, I think that works.
As a policymaker, as a public servant, I come to Washington, D.C., and I make difficult decisions and I make difficult decisions every day. And sometimes those decisions upset people.
When someone keeps doing something, you say that that isn't him, he is just making some bad decisions. Sometimes those decisions reflect the person.
The things that I have said when I was young and curious about whatever the subject matter was, I respect those - those are growing pains. Even if you make mistakes, I go back to those things, my not-so-great moments because those are my truest moments; those are my human moments. I'm not even mad at the things I said that were a little dicey.
There's a place this moment comes from, where it's made. Actually, it's like a big factory where they make moments, where they make realities, where they make infinities.
There are actors who make no decisions about how to play something until they're in the moment, looking into their scene partner's eyes. So they're completely available for whatever happens. And those are actors who tend to avoid getting into patterns.
The moment you make a photograph you consign whatever you photograph to the past as that specific moment no longer exists, it is history. The photography that I practice takes place in a specific time and place, depicting real moments in people's lives. In some ways I think of myself as a historian, but not of the word. History is most often written from a distance, and rarely from the viewpoint of those who endured it.
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