A Quote by Marsha Thomason
I think that Vegas is one of the wildest places I've ever been to. You can look to your left and there's a drag queen getting married by Elvis, to the right there is some old bird sticking quarters into a slot machine for hours.
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Our old - fashioned system is better than any new - fangled voting machine. Not only is it guaranteed to work, but there is something I find appealing in putting a mark on a piece of paper for the candidate of your choice, as opposed to pulling a lever as if you were gambling on a slot machine in Las Vegas.
I basically left Texas with no money. I was making $3.50 working in some mall, so I didn't have a lot of cash. I took $1,000 and headed to California. Along the way I stopped in Vegas because I had always wanted to see Caesar's Palace. So I stopped there and won $2,500 on a slot machine! It was amazing.
No one goes to Vegas for any sort of business. You go there to purely have fun, and as soon as you start getting in the vicinity, you feel the energy of the places. Normally as a DJ, I'm very much "working," even though I'm enjoying myself, but Vegas always brings out a little something extra in me. I've had my wildest nights there!
I might put a couple of quarters in a slot machine, but I don't know how to play roulette.
Any queen who's ever worked in a drag bar, or even been in a drag dressing room, knows that underlying all of that is a sense of family.
Some were getting married; some were getting divorced. People were in different places, but you had enough time on this earth to actually get somewhere, and I think that's the exciting thing about being 36 and in your mid-30s. You've been somewhere, and you're going to go somewhere. It's fun; it's exciting.
A regular old drag queen is usually your science teacher who's actually wearing women's panties underneath his slacks. A drag-queen superstar is someone who actually works in clubs and makes a living doing it more than one night a year, or even one night in six months.
The truth is I do take drag really seriously, and I think that there's kind of a place for that - to see it as this political and historical art form, and to want to continue pushing it in new directions. And also honor the old directions as well. So I'm sort of like a drag intellectual/drag queen.
Your email inbox is a bit like a Las Vegas roulette machine. You know, you just check it and check it, and every once in a while there's some juicy little tidbit of reward, like the three quarters that pop down on a one-armed bandit. And that keeps you coming back for more.
I feel like I am just an entertainer. It does not matter what form I take to perform and entertain. I think I deserve being called a performer because you don't call Tyler Perry a drag queen. You don't call Will Smith a drag queen and all the other mainstream artists who use the aesthetic of drag to entertain.
I don't think drag will ever be mainstream because it's counter to what the mainstream directive is, which is picking an identity and sticking with it for the rest of your life.
A lot has been written and said about why he was so great, but I think the best way to appreciate his greatness is just to go back and play some of the old records. Time has a way of being very unkind to old records, but Elvis' keep getting better and better.
At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!
I very much treat my stage persona of Jinkx as a character I've created. Some drag artists do a look-based glamour act, and when they talk they're mostly just being themselves. In my case it's not Jinkx the drag queen, it's Jerrick Hoffer as Jinkx Monsoon.
People ask me, "Are you right wing or are you left wing?" and I always say, "I'm for the whole bird." A one-winged bird didn't ever get off the ground.
Some people warned me against getting married soon. They said your career will end if you do. I felt I wanted to marry Siddharth (Roy Kapur) and I went ahead and married him. And I guess he felt like he wanted to marry me, so we are married today. If I hadn’t felt it for the next ten years probably I wouldn’t have got married. There is no right time. There’s never a right time.
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