A Quote by Marshall Allman

To me, the most interesting part of 'True Blood' is that the entire crux of the show is based on identity and finding your true identity. — © Marshall Allman
To me, the most interesting part of 'True Blood' is that the entire crux of the show is based on identity and finding your true identity.
If you have capabilities then the audience will accept you with an open gate. The way you would show them your identity, they will accept you. But you should have the honesty to show your true identity.
When you find your authentic self, your identity - your true identity - how many people work a job they hate or live a life, they're going oh my gosh.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
When it comes to identity, that was an issue that plagued me for a lot of my life. It's something that I wanted to tap into. Film can really take you to other places, and sometimes that's necessary to understand your own identity or someone else's identity or just the issue of identity, in general. It takes you. It's borderless. It's boundless. It's universal.
Please open your eyes now, but keep attention in the inner energy field of the body as you look around the room. The inner body lies at the threshold between your form identity and your essence identity, your true nature. Never lose touch with it.
My being Muslim is only one part of my identity. But particularly in India and the world over, a concerted effort is being made to diminish all other aspects of identity and only take your religious identity as who you are.
You create identity, you're not given identity per se. What became more and more interesting to me wasn't the I, it was text because it's text that create identity. That's how I got interested in plagiarism.
Your ethnic or sexual identity, what region of the country you're from, what your class is - those aspects of your identity are not the same as your aesthetic identity.
Society imposes an identity on you because of the way you look. Your struggle as a self has to do with an identity being imposed on you that you know is not your identity.
Co-writing the 'True Blood' comic is a dream come true both as a performer on the show and as longtime comic fan. It's a real privilege to build on the rapidly growing 'True Blood' mythology.
I don't think that the "freedom movement" is a racist movement as such. But it's a virulent example of identity politics. "Whiteness" is part of the identity, but not the most important part.
The system of domination is founded on depriving nations of their true identity. It seeks to deprive nations of their culture, identity, self-confidence and in this way dominate them.
Identity is the history that has gone into bone and blood and reshaped the flesh. Identity is not what we were but what we have become what we are at this moment.
True Blood and Buffy are both horror-based shows, but I think that they're extremely different from one another. I think it's really cool that I've been able to do True Blood and then this. It's really nice career-wise for me.
All discomfort comes from suppressing your true identity.
Winning or losing an argument, receiving an acceptance or rejection, is no proof of the validity or value of personal identity. One may be wrong, mistaken, or a poor craftsman, or just ignorant - but this is no indication of the true worth of one's total human identity: past, present and future!
This site uses cookies to ensure you get the best experience. More info...
Got it!