A Quote by Marshall B. Rosenberg

It may be most difficult to empathize with those we are closest to. — © Marshall B. Rosenberg
It may be most difficult to empathize with those we are closest to.
When you're going through these difficult times of chaos and trauma, the most important thing is to keep those who are closest to you together.
Your closest relationships are often the ones that have the most effect on you, but they are frequently the ones most difficult to change. These relationships are complex and have long histories. Lifetime habits of avoiding being really present with each other may exist in many of them. Family members, for instance, might want to support you, but will not necessarily know how to genuinely listen or be present with you in a way that is enlivening. . . . Even with the best intentions, it can be very difficult to get beyond the past and into the Now.
Alleviating suffering of the most marginalized communities must begin with assessing the needs of entire communities and allowing the most marginalized to lead the strategy. My belief is those closest to the pain are closest to the solution.
It is not always those who have the most eminent gifts who are the most successful laborers for God. It is generally those who keep up closest communion with Christ and are most constant in prayer.
It would be difficult, perhaps, to find the annals of a nation less stained with crimes than those of the Armenians, whose virtues have been those of peace, and their vices those of compulsion. But whatever may have been their destiny and it has been bitter whatever it may be in future, their country must ever be one of the most interesting on the globe.
Don't we all deserve forgiveness? I hope we do; I believe we do. Forgiveness says as much about the character of the person bestowing it as the person receiving it. Learning to forgive may be the most difficult of human acts,and the closest thing to divinity, whatever you decide that is.
There are many instances in science, where those closest to the intricacies of the subject have a more highly developed sense of its intractability than those at some remove. On the other hand, those at too great a distance may, I am well aware, mistake ignorance for perspective.
As I have always said, those closest to the pain should be closest to the power.
When I was growing up, albums were my closest friends, as sad as that may sound - Joy Division's 'Closer,' or Echo and the Bunnymen's 'Heaven Up Here'... I had a more intimate relationship with those records than I did with most of the people in my life.
We do not always proclaim loudly the most important thing we have to say. Nor do we always privately share it with those closest to us, our intimate friends, those who have been most devotedly ready to receive our confession.
Those who produce should have, but we know that those who produce the most - that is, those who work hardest, and at the most difficult and most menial tasks, have the least.
It is easy to speak words of love, or to meditate lovingly upon those people with whom you are in harmony. But it is those people who seem most difficult, who may even seem hostile, that need your radiation of love most. Their very hostility is but their soul's cry for loving recognition. When you generate sufficient love to them, the discord will fade away.
I find myself in a position where I have a voice that has the potential to influence - I want to use that to inspire confidence in those that have yet to find it, to inspire compassion in those who don't understand, but most importantly, to inspire love in everyone through the experiences and stories that we can all relate to or empathize with.
Empathy is an antidote to righteousness, although it's very difficult to empathize across a moral divide
...all the most acute, most powerful, and most deadly diseases, and those which are most difficult to be understood by the inexperienced, fall upon the brain.
I've found in composing that being simple and profound—having in-depthness in your music—is the most difficult thing to do. Anybody can write a whole lot of notes, which may or may not say something . . . But why make it complicated for the musicians to play? Why make it difficult for the listeners to hear?
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