A Quote by Marshall Brickman

Wanting to be a screenwriter is like wanting to be a co-pilot. — © Marshall Brickman
Wanting to be a screenwriter is like wanting to be a co-pilot.
And I didn't grow up wanting to be a director. I grew up wanting to be a writer, so for me, that was always the goal - to be a novelist, not a screenwriter. And I think, again, if I didn't have the novels, maybe I'd be much more frustrated by not having directed yet.
I don't know that I ever wanted greatness, on its own. It seems rather like wanting to be an engineer, rather than wanting to design something--or wanting to be a writer, rather than wanting to write. It should be a by-product, not a thing in itself. Otherwise, it's just an ego trip.
I had spent my entire career not wanting to talk about weight, not wanting to deal with it, wanting to be an actor first.
Well, you have the public not wanting any new spending, you have the Republicans not wanting any new taxes, you have the Democrats not wanting any new spending cuts, you have the markets not wanting any new borrowing, and you have the economists wanting all of the above. And that leads to paralysis.
Contentment is wanting what you have. Ambition is wanting what another has. Progress comes from wanting what nobody has.
I'm always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio.
One of things I write about a lot is the role of women. An older friend of mine said that she feels like there's always a tension between wanting to be free and wanting to be cherished. I think that's one of the things that my whole book speaks to, wanting to break out of the confines of the roles that are prescribed for women and yet at the same time, not wanting to be totally free. You want to have intimate relationships. It's that bursting out of confinement.
I still remember the days, not wanting to see anybody, not wanting to talk to anybody, really not wanting to live. I was on an express elevator to the bottom floor, wherever that might be.
I think that anytime that you can open your eyes and see all that you have and all that you've been blessed with, it's the greatest way to connect you with God, just being grateful rather than always wanting more, wanting to be different, wanting to be better.
There's a difference between wanting to be respected and being a strong female and being known for being able to do things, but still very much wanting guys to open the door, wanting them to ask us out, still bringing flowers and stuff like that.
I thought what if death is more like thinking, well, war is like the boss at your shoulder, constantly wanting more, wanting more, wanting more, and then that gave me the idea that Death is weary, he's fatigued, and he's haunted by what he sees humans do to each other because he's on hand for all of our great miseries.
Only yesterday a young woman came to me wanting a trap set for a man with a sweet smile and lithe arms. She was a fool, not for wanting him, but for wanting more of him than that.
It was palpable, all that wanting: Mother wanting something more, Dad wanting something more, everyone wanting something more. This wasn't going to do for us fifties girls; we were going to have to change the equation even if it meant . . . abstaining from motherhood, because clearly that was where Mother got caught.
Much thought has at its root a dissatisfaction with what is. Wanting is the urge for the next moment to contain what this moment does not. When there is wanting in the mind, that moment feels incomplete. Wanting is seeing elsewhere. Completeness is being right here.
Back when I was competing I had a lot of fans wanting my autograph, wanting to take my picture, but nothing like what my son is dealing with.
All these questions about do you want to be king? It's not a question of wanting to be, it's something I was born into and it's my duty. . . . Wanting is not the right word. But those stories about me not wanting to be king are all wrong.
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