A Quote by Marshall McLuhan
The TV generation is postliterate and retribalized. It seeks by violence to scrub the old private image and to merge in a new tribal identity, like any corporate executive.
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In 'National Geographic,' you always saw pictures of tribal Africa. And here I am, sitting in Nairobi in our suburban house, watching TV and thinking, 'Why is it always going to be these tribal people 'that are the ambassadors of our image?
The FBI continues to work with tribes through the Tribal Law and Order Act of 2010 to help tribal governments better address the unique public safety challenges and disproportionately high rates of violence and victimization in many tribal communities.
The meaning of experience is typically one generation behind the experience. The content of new situations, both private and corporate, is typically the preceding situation.
When a company seeks a new chief executive officer, or a university a new vice-chancellor, enormous trouble is taken to find the best person.
People who get higher pay are more willing to relocate--especially to undesirable locations at the company's behest... A corporate secretary may change companies in the same town; a corporate executive is more likely to change towns with the same company. A talented corporate secretary sees an invitation to relocate as an invitation; a future corporate executive sees an invitation to relocate as an opportunity--and an obligation.
The ultimate weakness of violence is that it is a descending spiral, begetting the very thing it seeks to destroy... In fact, violence merely increases hate. So it goes. Returning violence for violence multiplies violence, adding deeper darkness to a night already devoid of stars.
If you look at any of the big companies, whether it is IBM or L'Oreal, they have a corporate religion and corporate self-image that makes it very difficult for them to execute in different areas.
Storytelling is the oldest form of entertainment there is. From campfires and pictograms - the Lascaux cave paintings may be as much as twenty thousand years old - to tribal songs and epic ballads passed down from generation to generation, it is one of the most fundamental ways humans have of making sense of the world.
It is very difficult for us to establish identity in films. It is not easy to break through your stereotype image from television and form a new identity on the big screen.
Violence, whether spiritual or physical, is a quest for identity and the meaningful. The less identity, the more violence.
I'm originally from southern California, so I, like, say 'like', like, a lot. I've been trying to scrub any traces of Valley Girl from my speech since I moved to New York, but it's, like, totally way harder than anyone thinks, you know?
Violence is the quest for identity. When identity disappears with technological innovation, violence is the natural recourse.
Indian classical dance is sustained by a profound philosophy. Form seeks to merge with the formless, motions seek to become a part of the motionless, and the dancing individual seeks to become one with the eternal dance of the cosmos.
Where there has been racial hatred, it must be ended. Where there has been tribal animosity, it will be finished. Let us not dwell upon the bitterness of the past. I would rather look to the future, to the good new Kenya, not to the bad old days. If we can create this sense of national direction and identity, we shall have gone a long way to solving our economic problems.
Pornography and violence are by-products of societies in which private identity has been ... destroyed by sudden environmental change.
All kinds of violence on the TV. You're not supposed to watch violence on the TV. Children, they can't watch it 'cause they're afraid maybe the kids will copy something they see on the TV. I can't even get a funny cartoon anymore because some 12-year-old somewhere watched a particularly violent episode of the Road Runner-Coyote show, and the next day, they found him at the bottom of a canyon, two giant springs strapped to his feet.
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