A Quote by Marshall McLuhan

Good taste is the first refuge of the non-creative. It is the last-ditch stand of the artist. — © Marshall McLuhan
Good taste is the first refuge of the non-creative. It is the last-ditch stand of the artist.
Good taste is the first refuge of the non creative. It is the last ditch stand of the artist.
It is good taste, and good taste alone, that possesses the power to sterilize and is always the first handicap to any creative functioning.
The last time I drank, I drove into a ditch, which doesn't sound like that big of a deal, but I stopped at the ditch, looked left and right, then drove into the ditch.
Voting is the next-to-last refuge of the politically impotent. The last refuge, of course, is giving your opinion to a pollster.
Whether or not patriotism is the last refuge of the scoundrel, national security can be the last refuge of the tyrant.
A good taste in art feels the presence or the absence of merit; a just taste discriminates the degree--the poco piu and the poco meno. A good taste rejects faults; a just taste selects excellences. A good taste is often unconscious; a just taste is always conscious. A good taste may be lowered or spoilt; a just taste can only go on refining more and more.
[Good taste] is a nineteenth-century concept. And good taste has never really been defined. The effort of projecting 'good taste' is so studied that it offends me. No, I prefer to negate that. We have to put a period to so-called good taste.
What nobody tells people who are beginners… is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not… your taste is why your work disappoints you… We know our work doesn’t have this special thing that we want it to have. We all go through this… It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions.
The wonderful thing about being an artist in L.A. is that there is no taste. There's anarchy of taste, which seems good to me.
Mentoring is the last refuge of the older artist. With luck, disciples will keep one's books in print, one's reputation alive.
It's impossible for a creative artist to be either a Puritan or a Fascist, because both are a negation of the creative urge. The only things a creative artist can be opposed to are ugliness and injustice.
The discovery of the good taste of bad taste can be very liberating. The man who insists on high and serious pleasures is depriving himself of pleasure; he continually restricts what he can enjoy; in the constant exercise of his good taste he will eventually price himself out of the market, so to speak. Here Camp taste supervenes upon good taste as a daring and witty hedonism. It makes the man of good taste cheerful, where before he ran the risk of being chronically frustrated. It is good for the digestion.
The first derivative is the last refuge of a scoundrel.
When I was a kid, mostly I played in a ditch that didn't have much water in it. It was for drainage purposes. There was not a lot trouble to get into in that ditch. It was ditch activities like catching crawdads and minnows.
Digging a ditch where madness gives a bit Digging a ditch where silence lives Digging a ditch for when I'm old Digging this ditch my story's told Where all these troubles weigh down on me will rise ..... Where all these questions spinning round my head will die
I wanted to be a writer first, and I struck out in the world to be a writer first, and then found stand-up as a more creative outlet, as a 3D way to be creative.
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