A Quote by Martellus Bennett
I'm kind of like a black unicorn out there. It's amazing to watch. You go out there and you see a big, black guy running down the field, it's usually me.
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I love seeing original cartoons. You get to see the artist's corrections, like erasures or Wite-Out or patches, and you get to see the artist's line in better detail, and what kind of ink they use - whether they like a cold black or a warm black, and what kind of paper they like, how big or small they like to draw - art nerd stuff like that.
'Long Black Train' was inspired by a vision that I had of a long, black train running down this track way out in the middle of nowhere. I could see people standing out to the sides of this track watching this train go by. As I was walking, experiencing this vision, I kept asking myself, 'What does this vision mean and what is this train?'
It's very necessary, showing the positive aspect of a black father. We see a lot of black women being the head of the household and holding the house down, but I think we need to have those images because there are black fathers out there who are doing the same thing and who are the glue to the family. That's who Black Lightning is.
Please, all you MCs out there, all you fans out there, don't think Big gonna make a record dissing 2Pac or the West Coast because it's not going down like that. I cant even see me wasting my time or my talent to disrespect another black man.
I know that meeting a black woman with a love for hockey is a bit like stumbling upon a unicorn in the woods... or a unicorn anywhere. I'm sure it'd be just as surreal finding a unicorn in downtown Chicago. But here I am.
I kind of watch a guy like Aleister Black go around, and he does whatever he wants. He Black Masses whoever he wants. He beats up security guards; he threatens general managers. Tommaso Ciampa does whatever he wants.
If you believe a black cat is bad luck, people think you're crazy, but plenty of times, if I see a black cat down my street, I turn around and go the other way. Even if I'm late. I'll be late for the airport and be in a limo, and if I see a black cat, I'll be like, 'Sir, you have to turn around and go down the next street.'
There's a time when it was an event for a black person to be on television. Where black households would gather around, 'Oh, you know, Sammy Davis is going to be on 'All in the Family' tonight! Let's go check it out!' It was a big, big thing.
Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.
Dear White Fella When I am born I’m black When I grow up I’m black When I am sick I’m black When I go out ina sun I’m black When I git cold I’m black When I git scared I’m black And when I die I’m still black. But you white fella When you’re born you’re pink When you grow up you’re white When you git sick you’re green When you go out ina sun you go red When you git cold you go blue When you git scared you’re yellow And when you die you’re grey And you got the cheek to call me coloured?
It's inspiring to see Black Flag looking like Vietnamese farmers with big beards and those kind of Vietnamese farming hats showing up at a Mohawk-mania club in England and being spat at because they don't sound or look like Exploited; they sound more like Black Sabbath than Black Flag. I love that.
Like for 'Black Nails,' I just had black nails - and I never have black nails. It was my first and last time getting black nails. And that's so not normal for me. So when you're recording, you're up at the mic and you gotta name the file, so I just look down and I'm like, 'Black Nails!' That's literally what it was.
It's pretty amazing to see something in your head and write it down, go out and shoot it, then see it on the big screen. It's a pretty amazing feeling.
No, I don't think my presence will cause an increase in black attendance at Cleveland. People come out to see the players. When do you see a manager anyway? When he's out on the field arguing with the umpires, making a fool of himself and you know you can't win, and when he brings out the line-up card.
I am a black man
Who was born café con leche
I sneaked into a party, to which I had not been invited.
And I got kicked out. They threw me out.
When I went back to have fun with the black girls
All together they said 'Maelo, go back to your white girls'
And they kicked me out. They threw me out.
It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted toward the niche market, which is, like, a black movie is created and it's produced and pitched so that only black people will watch it ... I want to see dynamic characters and roles that everyone wants to watch.
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