A Quote by Martha Beck

If you'd rather live surrounded by pristine objects than by the traces of happy memories, stay focused on tangible things. Otherwise, stop fixating on stuff you can touch and start caring about stuff that touches you.
Stop fixating on stuff you can touch and start caring about stuff that touches you.
Messy stuff irritates me. I don't like messiness. If you leave something around my house, I'll tell you to move it back, clean it up, throw it in the trash - don't matter, just get rid of it. I need stuff neat, organized. And once I start cleaning stuff, I don't stop until it's done. Otherwise I'm irritated all day.
There's a certain thing when you start getting into your late thirties or early forties where you stop caring. Not to the extent where you stop caring about the music, you just stop caring about what anyone thinks of you, and you just kind of let it go - let the chips fall where they may.
the pyramids were built for pharaohs on the happy theory that they could take their stuff with them. Versailles was built for kings on the theory that they should live surrounded by the finest stuff. The Mall of America is built on the premise that we should all be able to afford this stuff. It may be a shallow culture, but it's by-God democratic. Sneer if you dare; this is something new in world history.
There's that great Irish joke: a man is lost in the countryside, stops a passer-by: 'how do I get to Dublin?'. The passer-by says 'well, I wouldn't start from here'. Rather than starting by talking in the abstract about materialism, dualism, 'material stuff' and things like that in regard to the mind, I would rather start from somewhere else.
All the work I do is personal, so the good stuff and the bad stuff that you see in there is all good stuff and bad stuff that I have, and part of the journey, for me, has been to embrace these things that I find embarrassing about myself: my stubbornness, my ego, my maudlin-ness - these things that I see myself do, and I go, 'Oh, David, stop that!'
One of the things I figured out was that I was having good gigs when I wore jumpers. It was because I looked more like an outsider, so they expected me to talk about weird stuff rather than normal stuff.
I'd rather have that dialogue right now than only the other one, which is starting at such a basic level, that we start rearranging stuff on the Titanic, trying to be less bad with ordinary stuff.
I think everyone is throwing happy stuff at you, and that's when you come over all humbug. It's happy stuff in your face, happy stuff is being sold to you.
To me, a perfect album talks about the hard stuff and the fun and caring stuff.
Nothing is more bothersome to me than retiring. Weird things happen when you disengage; first you get negative, then you start telling people about your latest surgeries, and eventually you lose touch. I want to stay in touch.
I'd rather do new stuff. The old stuff is better to talk about than to see. It always sounds better than it really is.
When you're surrounded by majestic Norwegian nature, it's very easy to start thinking about stuff you don't have time to in everyday life.
What you do in your art - TV, music, film stuff - touches people. And they want to touch you. So that's a blessing. I'm okay with it.
When you're in the moment and not over thinking the song is when things tend to really work. You're not so focused on the minutiae. You're focused on the overall feel, and that's the stuff that I get from the demos. First impressions are always the most important. When you start getting into a full-band, democratic context the little things almost immediately get thrown out the window because you don't think they're important.
You can be so bad at so many things... and as long as you stay focused on how you're providing value to your users and customers, and you have something that is unique and valuable... you get through all that stuff.
This site uses cookies to ensure you get the best experience. More info...
Got it!