A Quote by Martha C. Nussbaum
I think the imagination helps us move out of the purely oppositional mentality and see the world in a richer and more variegated way.
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Economics, as it is often taught today, portrays us as homo economicus-someone who doesn't vote in presidential elections, doesn't return lost wallets, and doesn't leave tips when dining out of town. Julie Nelson reminds us that most people aren't really like that. She helps point the way to a richer, more descriptive way of thinking about economic life.
I think reading is important for a variety of things. I mean, first of all, it's a way to get information and find out what's going on in the world. But also, it helps your imagination.
The spiritual journey is one that we must take "alone together," in the same way that a good marriage involves a dance between solitude and communion. The life of the spirit entails a continuous alternation between retreating into oneself and going out into the world: it's an inward-outward journey. There is a solitary part to it, but that solitude helps us to develop richer and more in-depth relationships with our friends, our children, our community, and the political world.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
I suppose I'm proudest of my novels for what's imagined in them. I think the world of my imagination is a richer and more interesting place than my personal biography.
Love changes us and helps us move forward in life. It often helps us become the people we've always wanted to be and move away from the people we were. Love transforms us in the best of ways, allowing us only to look back on a memory of our former self.
The important element is the way in which all things are connected. Every thought and action sends shivers of energy into the world around us, which affects all creation. Perceiving the world as a web of connectedness helps us to overcome the feelings of separation that hold us back and cloud our vision. This connection with all life increases our sense of responsability for every move, every attitude, allowing us to see clearly that each soul does indeed make a difference to the whole.
I think drag helps move us in the direction of loosening up the man/woman binary. The idea that you're one, or the other, it's false. The more that as a society we become a little looser, more open to laugh about gender, that's the direction the world needs to go in.
I think what people really want is fiction that in some tiny way makes their life more meaningful and makes the world seem like a richer place. The world is awfully short on joy and richness, and I think to some extent it’s the fiction writer’s job to salvage some of that and to give it to us in ways that we can believe in.
I’m aware of the- the fact that people elsewhere in the world think differently from us. I can sort of see us, us Americans with their eyes. And not all that I see is- is attractive. I see an insular people who are- are insensitive to foreign sensibilities, who are lazy, obese, complacent and increasingly perplexed as to why we are losing our place in the world to people who are more dynamic than us and more disciplined
You can't just keep telling a story the same way over and over again. And I think it only helps the world to be more honest with young kids, to show them the world that they go walk outside and see.
Mozart, who was buried in a pauper’s grave, was one of the greatest successes we know of, a man who in his early thirties had poured out his inexhaustible gift of music, leaving the world richer because he had passed that way. To leave the world richer—that is the ultimate success.
Out of an intuitive experience of the world comes a continuous flow of novel distinctions. Purely rational understanding, on the other hand, serves to confirm old mindsets, rigid categories. Artists, who live in the same world as the rest of us, steer clear of these mindsets to make us see things anew.
There is no obligation on us to be richer, or busier, or more efficient, or more productive, or more progressive, or any way worldlier or wealthier, if it does not make us happier.
Music gives us a language that cuts across the disciplines, helps us to see connections and brings a more coherent meaning to our world.
Science begins with the world we have to live in, accepting its data and trying to explain its laws. From there, it moves toward the imagination: it becomes a mental construct, a model of a possible way of interpreting experience. The further it goes in this direction, the more it tends to speak the language of mathematics, which is really one of the languages of the imagination, along with literature and music. Art, on the other hand, begins with the world we construct, not with the world we see. It starts with the imagination, and then works toward ordinary experience.
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