A Quote by Martha Graham

I don't try to tell the dancers exactly what a dance means before they do it. — © Martha Graham
I don't try to tell the dancers exactly what a dance means before they do it.
We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.
It's going to take a while before we see a real shift in the students and the dancers that are going into professional companies because it takes so many years of training, but I do think that there's a new crop of dancers, of minority dancers that are entering into the ballet world.
I can be. I do not normally try to be. In fact, there have been some reviews - which I've loved - that said I didn't try to sell my show on sex, that I sang my show. On the other hand, I know I'm cute. I can dance. I don't have a bad figure. I know exactly what I am. I'm certainly no great beauty. I know exactly how far I can go.
When I started off with 'Dance India Dance,' even the TV show people thought it won't be accepted. But with the talent that the show received, I was able to personally tutor dancers to amalgamate contemporary dance moves on Bollywood tracks.
Timing is everything. That´s right. Which is why our sages tell us to repent exactly one day before we die." But how do you know it´s the day before you die? I asked. He raised his eyebrows. "Exactly
Dancers are a great breed of people. And they really want to dance so you don't have to beg them to work. However, dancers sometimes build walls around themselves because they are presenting themselves all the time: dancing is very much a confession.
For an actor, one doesn't have to be a dancer. But because our Hindi movies have so many song and dance sequences, it is preferred if they are good dancers. It's always advantageous to know dance. But if you don't, it's okay.
I think when you're doing a musical, you have to be attuned to the director's vision. You're working with a variety of people, singers and dancers, so you have to create movement and dance that is for all abilities. You have to further the story through the dance.
As long as there are dancers around who love to dance, there will be an Alvin Ailey American Dance Company. We miss him so much, but he's alive as soon as you see a dancer hit the stage.
Nobody cares if you can't dance well. Just get up and dance. Great dancers are great because of their passion.
When World of Dance came around, what I really liked about it was it's from dancers for dancers. For me growing up as a dancer and becoming an actress, Jennifer Lopez really was this icon in that world to me.
You cannot dance physically certain things. But look at tango dancers or flamenco or Japanese classical theater. You can, if you're smart enough and you collaborate with the right choreographers, you could really dance your age.
To me, healing means you have to recognize there is a wound and you try to understand what the sources of the wound are, which means you try to tell a story about how it came to be. So you have to engage in some historical interpretation.
I have all these opinions about the dancers but they should be kept to myself. No one consults me. I keep asking to be invited to the dance tryouts but no one ever allows me there. I'll just say this: My general philosophy is that you can teach them to dance.
I dance with the dancers.
It fell into my lap. I grew up doing dance classes. And one day, a film production company contacted my dance school looking for background dancers. I wasn't looking for it. It just happened. And I found myself on set. And that was that.
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