A Quote by Martha Graham
The center of the stage is where I am.
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Robinson did not merely play at center stage. He was center stage; and wherever he walked, center stage moved with him.
Nicholas Hytner, who directed Center Stage, is a huge ballet fan. He was completely open, as was Bruce Beresford, to get our perspective. "No, we wouldn't do this. Yes, we would do that. That's not realistic." So, I feel like Center Stage did well in that respect.
Women are taking the main stage. They are center stage, and they're setting all these records and making history, and I want I be a part of that. I've worked so hard to be a part of that.
Standing center stage in the six foot circle of wood cut from the stage of the Ryman is something I never take for granted. The history and legacy of that circle is awe-inspiring.
With enough of us connecting heart with heart, center with center, innovation with innovation, prayer with prayer, through the internet and the noosphere, we can have a major impact on a more gentle transition toward the next stage of evolution.
From time to time it's fun to close our eyes, and in that dark say to ourselves, 'I am the sorcerer, and when I open my eyes I shall see a world that I have created, and for which I and only I am completely responsible.' Slowly then, eyelids open like curtains lifting stage-center. And sure enough, there's our world, just the way we've built it.
I'm better not operating at center stage.
I love the excitement, the center stage, the limelight.
I don't even feel as if I'm the center of my own world, so how am I supposed to feel as though I'm the center of anyone else's?
The power chakra is the navel center. The center of balance is the heart chakra; it's the center of our being. The third eye is the center of wisdom, the Agni chakra.
I AM is a feeling of permanent awareness. The very center of consciousness is the feeling of I AM. I may forget who I am, where I am, what I am, but I cannot forget that I Am. The awareness of being remains, regardless of the degree of forgetfulness of who, where, and what I am.
I always say that I've grown little flaps on a stage and I've got these little gills that open, because on the stage I'm in my element and I'm like a fish that's come out when I'm on land, which is filming. I'm never quite as comfortable as I am on the stage.
In literature, older women are not often given center stage.
I live on a boat two months out of the year, and if I did not have that then I don't know how I'd be able to handle all this.... I am a very intense person on stage. I have to remember why I am there, what I am doing. You can spend all day backstage preparing for the show and lose sight of why you are doing this. Off stage, I am a very simple kind of guy. I live my life in flip-flops.
I never dreamed that I would hear 10,000 people screaming when I stepped out onto a stage. Well, that's not entirely true. I dreamed about it but in a performing-on-the-stage-at-Staples-Center-or-Madison-Square-Garden context. But never in a I'm-in-a-movie-that-hasn't-even-come-out-yet one.
All too often, it is audacity and not talent that moves an artist to center stage.
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