A Quote by Martha Graham
No artist is ahead of his time. He is his time; it is just that others are behind the times.
Related Quotes
My definition of an artist is anyone who's ahead of his time and behind on his rent.
Contrary to general belief, an artist is never ahead of his time but most people are far behind theirs.
Ray Bradbury was not ahead of his time. He was perfectly of his time, and more than that: he created his time and left his mark on the time that followed.
I just want people to recognize my father as an artist who was way ahead of his time. He was a genius. His life just burnt out quicker than it should have. And that is unfortunate, but what is more unfortunate is that everybody focuses on the nature of his death as opposed to the nature of his life, which was so much greater and more important.
No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept. For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.
Bach in general was so good with the violin. He just finds the genius way around his music on the instrument. When you think about the fact that the instrument has changed significantly since he wrote for it and his music still really works, it's brilliant. He was definitely ahead of his time. There's something so satisfying about his music. It's beautifully organized and emotional at the same time. I find it highly exciting.
A great artist is always before his time or behind it.
There is a time to go ahead and a time to stay behind. There is a time to breathe easy and time to breathe hard. There is a time to be vigorous and a time to be gentle. There is a time to gather and a time to release. Can you see things as they are And let them be all on their own?
The problem with Yves Saint Laurent was that he was a man who understood his time period better than anyone, but he didn't like it. Real artists live their own lives in parallel. It's the artist who transforms his times.
We need from every man who aspires to leadership-for himself
and his company-a determination to undertake a personal
program of self-development. Nobody is going to order a man
to develop .... Whether a man lags behind or moves ahead in
his specialty is a matter of his own personal application. This is something which takes time, work, and sacrifice. Nobody can do
it for you.
One may not always know his purpose until his only option is to monopolize in what he truly excels at. He grows weary of hearing the answer 'no' time and time again, so he turns to and cultivates, monopolizes in his one talent which others cannot possibly subdue. Then, beyond the crowds of criticism and rejection, the right people recognize his talent - among them he finds his stage.
If you're ahead of your time, who's going to listen? If you're behind the times, it's boring.
Paul Goodman was not ahead of his time but IN his time.
His face set in grim determination, Richard slogged ahead, his fingers reaching up to touch the tooth under his shirt. Loneliness, deeper than he had never known, sagged his shoulders. All his friends were lost to him. He knew now that his life was not his own. It belonged to his duty, to his task. He was the Seeker. Nothing more. Nothing less. Not his own man, but a pawn to be used by others. A tool, same as his sword, to help others, that they might have the life he had only glimpsed for a twinkling. He was no different from the dark things in the boundary. A bringer of death.
Happy is the child who happens in upon his parents from time to time to see him on his knees, or going aside regularly, to keep times with the Lord.
Some kids grasp a subject faster and race ahead to the next level, while others continue to struggle with the first. The great thing we've seen is that if you let a student take his time to master a concept, he will probably race ahead on the next one.
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