A Quote by Martha Grimes

The England I write about doesn't strike me as the real one. — © Martha Grimes
The England I write about doesn't strike me as the real one.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
That was, in writing the 'Twilight' script I had about five weeks to write that. I'd taken about a month to write the outline and then it was slam into a script and write it down fast because the writer's strike was looming.
I'm writing about real things. Real people. Real characters. You have to believe what I write about is true or you wouldn't pay any attention at all. Sometimes it's me, or a composite of me and other people. Sometimes it's not me at all.
I think that I write about stuff that others don't write about. I don't have a bunch of love songs cuz I don't really have much boy experience. I just write about what I am actually going through in my real life.
There was a gas strike, oil strike, lorry strike, bread strike, got to be a Superman to survive.
We are on strike, we, the men of the mind. We are on strike against self-immolation. We are on strike against the creed of unearned rewards and unrewarded duties. We are on strike against the dogma that the pursuit of one's happiness is evil. We are on strike against the doctrine that life is guilt.
It's so much work to make a movie, and for me it has to get me off my butt. To get me actually writing you have to strike something inside, you have to hit a power main to get the energy. You have to strike something you care about.
I'm writing about real things. Real people. Real characters. You have to believe what I write about is true or you wouldn't pay any attention at all.
There are a lot of great love stories. It's just the best thing. Why wouldn't you write about it? Why wouldn't you want to read about it? But it's hard to write about. It's weird to have such a powerful and universal feeling and hope that you can write that and make it real for people.
If you want to write what the world is about, you have to write details...real life is in the dishes. Real life is pushing strollers up the street, folding T-shirts, the alarm clock going off early and you dropping into bed exhausted every night. That's real life.
I never write to disappear and escape. The truth is exactly the opposite. Most people strike me as escaping and disappearing in one way or another - into their jobs, their daily routines, their delusions about themselves and others.
As I started reading about it, I saw that at the beginning of the 19th century, outside of New England - which was an unusually literate place - practically no one could read or write. And even in New England, the overall rate was only about 60 percent. That still means four out of 10 people couldn't put their name to a will.
All I can guess is that when I write, I forget that it's not real. I'm living the story, and I think people can read that sincerity about the characters. They are real to me while I'm writing them, and I think that makes them real to the readers as well.
It's real easy for me to write a lot of stories. I just go and I live through something, and I go home and write about it. It's that quick.
I wanted to move away from Holland for my work because I felt that things would be better for me in England. But when I heard Joy Division's 'Unknown Pleasures', that pushed me towards making the move and making it real. I met them within 12 days of moving to England.
Oh, I collect facts and quotes when I can't write, and I can't write most of the time. I do a little chance operation sometimes where I flip through outdated reference books to see if anything will strike me as beautiful or momentous. Library roulette, I call it.
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