A Quote by Martha Stewart

When I was a model - and I was all during high school and college - you always wanted to be on the cover of a magazine. That's how your success was judged. The more cover, the better.
I'm proud to be a railway modeler. It means more to me to be on the cover of Model Railroader than to be on the cover of a music magazine.
I would model when they wanted me, and as I got older, they wanted an older model. I was quite willing to be mother of the bride at 28. I was quite happy to be on the cover of a grandparents' magazine at 42; I have no ego about that.
In a magazine, one can get - from cover to cover - 15 to 20 different ideas about life and how to live it.
I see myself on the cover of a magazine and I don't think that it looks like me at all. My first-ever photo shoot was for the cover of a lads' magazine.
In order for a person of color to get on a cover of a magazine, they have to do something prolific - winning an Oscar, being the first billionaire, you know, or whatever. I think it's becoming more natural that somebody can get on the cover of a magazine just because they're an amazing person. That's what it should be.
When you're in your 20s, there's maybe a little room for you to not be at the top of your artistic game, if you look good on a magazine cover. When you're not on the cover of the magazines anymore, then you realize that the work has to be great.
I was with Roy Thomas on a panel and he turned to me and said, "You know, your name is on the cover a magazine every month." I said, "Really?" He pulled out a copy of "Destroyer," and said, "If you cover up the DEST you've got Royer on the cover every month."
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
I'm always looking for a cover subject that reflects the magazine, an interest in fashion, in culture, in society. We're trying to bring the world into the pages of 'Vogue.' We do that by tapping into the zeitgeists with our cover subjects.
It doesn't matter how good the enemy's weapons are. If he can't see you, he can't hit you. Cover, cover, cover. Make sure you're never exposed.
I always wanted to be a fashion designer and I learned costume illustration in high school. That was an incredible high school. It was more like a college. I'm moving more in that direction, just kind of merchandising my name.
Being on the cover of a magazine with my son is the best thing ever. It took me 18 years to get my first cover, he gets one at 8 months.
I work for ABC television; I have my own syndicated TV series. I've been on the cover of 'Time Magazine' and on the cover of 'Sports Illustrated' five times.
I remember the cover of this one L'Amour book showed a guy on horseback, leading a pack horse across a creek in the snow. Something about that cover - all I wanted to do was drift the high lonesome on horseback.
I have been on the cover of Time magazine. My father was on the cover of Time, and my grandfather was on the cover of Time.
The magazine business is dying. It's a hard time for publishing. It does seem that everyone is much more opinionated now. I think there's probably more room for making opinionated illustrations. There was a time when Time magazine and Newsweek would have a realistic painted cover. A friend of mine used to do a lot of those paintings and he was told by the art director at one point, we are switching to photography. It seems that if someone saw a painting on a cover, it took a while to do, it must be old news. Photography became more immediate.
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