A Quote by Martha Stewart

When you write a book, you're an expert, and people look at you in a different way. — © Martha Stewart
When you write a book, you're an expert, and people look at you in a different way.
The only way to write a book, I’m fond of telling people, is to actually write a book. That’s how you write a book.
At different times and in different places I have come to expect certain books to look a certain way, and, as in all fashions, these changing features fix a precise quality onto a book's definition. I judge a book by its cover; I judge a book by its shape.
I was surprised that each expert cared for different images, and had varied suggestions for how to continue my work. If each expert had been my teacher, I would have pursued four different directions, and lost my way.
I heard somewhere that whenever you write a book, people will ask you One Question about it over and over. And while I'm no expert in these matters, this is proving to be true. My first book dealt with a not-that-pleasant degenerate type, and the One Question was, 'Is this an autobiographical story?'
One of these days when I'm finished coaching at Alabama, I'll write an authorized book because there's only one expert on my life, and guess who that is... me. And there won't be any misinformation. There won't be any false statements. There won't be any hearsay. There won't be any expert analysis from anybody else. It will be the real deal.
I didn't know enough as a writer to understand why I needed to do this, but I understood in a very gut way that I could not entertain those thoughts of pleasing people and write this book - that it would be a very different book. Without really sort of investigating that instinct, which I'm glad for, I just made a conscious decision to put blinders on and not think about anything and put it all in. And I did. I put everything in. I had to look at the whole picture to see what I needed.
You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.
I wanted to write a food book, but I'm not a chef or an expert on culinary matters, to put it mildly.
I think the most important lesson isn't necessarily to try and write a different book every time, or to try and brand yourself and write one specific kind of book, but to write the kind of books you love to read.
I never felt inspired to write this book [ I Had Brain Surgery, What's Your Excuse?], like I did with the cat or dog book; I felt compelled. At the time (May 1999), I was planning to write and illustrate an altogether different memoir, a book about my decision whether or not to have a baby.
I'm an expert in hookers. I'm an expert in doormats. I'm an expert in victims. They were the best parts. And when I woke up--sociologically, politically, and creatively--I could no longer take those parts and look in the mirror.
I'm not one of the people who has a kind of scholarly hat and writes in a certain way for an academic audience and then puts on a public intellectual hat and writes a different way for a different kind of readership. I generally write the way I write, no matter what and it seems to have worked for me.
I write so that people will read what I write. I don't want to write a book that a thousand people read, or just privileged people read. I want to write a book whose emotional truth people can understand. For me, that's what it's about.
I should write a book. I've always wanted to write a book. I should write a book about kids who see dead people.
Write what you want to read. So many people think they need to write a particular kind of book, or imitate a successful style, in order to be published. I've known people who felt they had to model their book on existing blockbusters, or write in a genre that's supposed to be "hot right now" in order to get agents and publishers interested. But if you're writing in a genre you don't like, or modeling yourself on a book you don't respect, it'll show through. You're your first, most important reader, so write the book that reader really wants to read.
I think, for me, there's The Book I Should Write and The Book I Wanted to Write - and they weren't the same book. The Book I Should Write should be realistic, since I studied English Lit. It should be cultural. It should reflect where I am today. The Book I Wanted to Write would probably include flying women, magic, and all of that.
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