A Quote by Martha Wainwright

It can often happen that motherhood can really stop a lot of women in their tracks and I wanted to try and keep working through that as much as I could. — © Martha Wainwright
It can often happen that motherhood can really stop a lot of women in their tracks and I wanted to try and keep working through that as much as I could.
I keep a lot of my problems bottled up inside me. That's why it's good, it's bad because I go through it, but it's really, what the fu*k I'm going through. That's why I ain't able to cry, I could try to make myself cry and it won't happen. But at the same time somebody could hear my song and they gonna cry for me.
Well technology has changed a lot of things, making it possible for just about anyone to make music. But not everybody is a songwriter, so that puts me in a completely different ballpark than the other DJs out here that are writing and producing tracks. I don't stop at tracks, I try to complete the whole package with the song. So working at that level has put me in a completely different place.
The best thing that could happen to motherhood already has. Fewer women are going into it.
I'm really aware that in fiction, women are pretty much equal. There's a lot of very successful women novelists. Not so much [for women writers working] in film.
From the age of 40, I went through illness for four and a half years. I tried to keep working through it as much as I could, but I was physically not able to do it as much, and if you look sick, it's hard to get a job.
I learned that round four of a major is really not too much different than rounds one through three. I didn't keep to my game plan in the '08 U.S. Women's Open for the final round. That won't happen again!
I think a lot of women feel so obligated right now to do so many different things that they don't really stop and think what do they want and it's okay not be anything. It's okay not to have a big career. It's okay not to have children. It's much better to figure out what you really want. What really makes you happy instead of what everybody else wanted for you.
When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and is it is cool and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit again.
I could only try to comfort the women that I came face-to-face with. I was really moved by how much they wanted to talk, how much they needed to be comforted, and how happy they were that we were there.
Working on 'SNL,' you can have a really stressful experience or a really bad week, and I could see how much of a nightmare that could be for someone who doesn't have a network of buddies going through that with them.
You know, we're very private, and I think that we really separate and try to keep our privacy to ourselves. There's things that people assume a lot of times, and we understand that people are interested, but we really try to keep our family life private as much as we can.
A couple days before the stunts, if I'm doing something particularly dangerous, I will go over every worst-case scenario in my head, like this could happen, this could happen, this could happen, this could happen. I try to think about that to where it's ingrained in me.
No one can pass through life, any more than he can pass through a bit of country, without leaving tracks behind, and those tracks may often be helpful to those coming after him in finding their way.
It's thought of as an eccentric thing for an actor to really try to maintain quality control through the whole career. Most people think, 'You just work. You just keep working.' And in some ways I wish I could be a guy who's just a workhorse.
I wanted to be different and original but still have it be something my fans could get into. There also are some big, beautiful ballads. I told my producers that I wanted tracks that are going to blow up in the clubs, but I also wanted songs that were very melodic and with a lot of instrumentation.
Actually, I don't really draw that well. It's just that I don't stop trying as quickly. I keep at it. I happen to have high standards and I try to meet them. I have to struggle like hell to make a drawing look good.
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